The British animation industry was pulled back from the brink by subsidies, but now it faces a far bigger and more insurmountable challenge: Brexit.
To get it out of the way right off the bat, I think YouTube is ultimately done for, at least in its current form. The massive scale and complexity of the service don’t bode well for it in the long-term. At least Netflix has narrowed its focus to a fairly small number of high-quality productions, and building a reliable distribution service. YouTube is like a blunderbuss; spewing content in every direction in the hope of hitting the mark. It’s worked so far, but it isn’t going to work forever.
People have been clamouring for a Disney princess that embodies LGBT traits for some time, but the latest #GiveElsaAGirlfriend campaign is misdirected, misguided and will ultimately fail to accomplish the very outcome it desires. Why is this so, and why do fans tend to believe otherwise? The answer is troubling and undermines all efforts aimed at increasing representation in the media.
A group of fans are attempting to remake an original Sailor Moon episode, but what kind of copyright questions does this throw up?
MGM are reviving the Addams Family as an animated feature, but is that really a good idea?
Is it true that the shorter a single piece of animation is, the more episode of which you have to make? A theory on proportional effort.
Licensed apparel has been a part of the merchandising puzzle for animated shows for years. yet the clothing actually worn by many characters is rarely seen.