Dec
11

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Get Innovative with Merchandise: Hold an Auction!

Via: Likely Looney Mostly Merrie

Merchandise has become an ever more important part of the making-money-from-animation pie. Services such as Redbubble, Society6 and Etsy have exploded the number of options available to creators and producers alike looking to profit from their wares. That being said, a good old fashioned auction is still a powerful draw for fans.

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Dec
4

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The Podcast: Episode 1 with Rusty Gray

After some time in development, I’m proud to announce that today marks the beginning of monthly podcasts here on the Animation Anomaly blog.

This month, my guest is accomplished world-travelling animator Rusty Gray. Currently based in Vancouver, Rusty has studied at Full Sail university and Animation Mentor. He has also launched a website of his own (RustyAnimator.com) that provides plenty of tips and advice to aspiring students and animators.

Although the focus is on education within the animation industry, we discuss a wide range of topics surrounding it from what skills degrees actually provide, to where the future of animation education lies.

Some relevant links from the discussion:

I’m a bit jittery in this first episode so feel free to provide some feedback either in the comment form below, or via email to charles [at] animationanomaly [dot] com.

The theme music is ‘Big Band Swing (Messin’)’ by Simon Wallace

Oct
29

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The Compelling Reasons That Will Make You a Fan of Hatsune Miku

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If we’re being honest, even I wouldn’t have believed that headline if it was written even six months ago. Clearly being only vaguely aware of who Hatsune Miku is wasn’t enough and it took a proper introduction before I ‘got’ her. Of course there’s a lot of appeal to the character of Miku herself, and that forms the basis for many young fans’ devotion. That’s not what makes her appealing to me though; it’s the concept and execution of the character’s role, and what she represents from a business standpoint. To put it simply: she’s the future.

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Oct
16

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Boomerang Relaunch is Too Little Too Late

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Cartoon Network was the original home for the vast library of Hanna-Barbera and MGM cartoons that Ted Turner had at his disposal. It soon outgrew that purpose as original content began to be broadcast on the channel and eventually banishing them altogether to a new network: Boomerang. To say they languished there is an understatement, but Turner’s attempt to make amends comes too little, too late.

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Oct
8

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Here’s Proof That Dramatic Animation Is Viable on TV

Buffy character design_animated

Live-action has a virtual monopoly on lots of the entertainment industry. Animation is slowly making inroads, but one area that has been staunchly resistant to change has been television dramas. Comedy series are a dime a dozen and prove that animation can be popular with adults as well as kids on the small screen, but drama is whole different kettle of fish. Thankfully, some proof has recently come to light that suggests that dramatic animation isn’t as much of a pipe dream as we believe.

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Independent Animated Features: 10 Questions That Need Answering

Thursday, March 13, 2014

Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.

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Is There an Impending Apocalypse in Animation Studies?

Thursday, February 27, 2014

Over on the Society for Animation Studies blog, Lauren Carr writes about what she perceives as a crisis in animation studies stemming mainly from a desire by students to simply learn the software tools rather than the technique and theory behind animation. If that’s true, then we are heading for an impending apocalypse in the field from which it will be very difficult to recover.

Why do you Animate?

Wednesday, February 12, 2014

In a brief, but all too painful and to-the-point post over on Tumblr, Keith Lango lays out what it means to create animation for mass consumption. It’s an…

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Why Do Female Characters ‘Have’ To Look Feminine?

Tuesday, January 28, 2014

Female characters often have a tough time with variety. While there is plenty of debate and discussion surrounding the prevalence of stereotypes that send poor messages to viewers, there is something else that is completely overlooked. Dave Pressler ponders the interesting question of why female characters are often forced too look feminine by executives.

The Tip Jar

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