Aug
23

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As Art, Why Doesn’t Animation Challenge Our Beliefs?

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Animation is making leaps and bounds as I write this. So far, 2016 is turning out to be a great year for variety in terms of choice and styles. Yet in relative terms, we’re still well within the comfort zone. Animation art is entertaining us, and amazing us, but are we being challenged?

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Aug
15

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Four Reasons Why The Simpsons Should Ditch The Half-Hour Episode

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Half-hour episodes: the bedrock of just about every television success story. Efficient, profitable, and rapidly becoming outdated. The Simpsons owes a large chunk of its success to the format, but it blunts the show’s formerly raw edge.

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Aug
9

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Petulant Fans As Investors: The Ugly Side of Crowdfunded Content

beeandpuppycat

Is the relationship between creators and fans today a healthy one? Has the new closeness made things ever more personal? Kickstarter and other crowdfunded content are coming under increased scrutiny with the biggest lesson so far being that when backers contribute money, they don’t make requests, they make demands.

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Aug
3

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What’s With Disney’s Push Into Luxury Fashion?

Via: Fashionista

Traditionally, the twin concepts of Disney and high-fashion being mentioned in the same sentence would have been laughed at. Low-grade, mass-produced, and with mass-appeal are what defined Disney merchandise for decades. Things appear to be changing though, as the company makes a concerted push into luxury fashion in a move that is bewildering yet not entirely surprising.

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Jul
20

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The Future of Animation As A Video Feed

Crunchyroll

Video is undergoing a massive shift as we speak. The video feed is about to supplant television channels. As a form of video, animation is obligated to go along with the direction that the industry eventually takes. So just what form will that be, and how can animation create a place for itself within it? An excellent article on REDEF suggests one particular model that may work well for the artform and the industry.

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Questions

Disney_Studio

Portrait of an Idyllic Animation Studio

Wednesday, April 6, 2016

What would the idyllic animation studio look like, and why does it matter?

Miku polo

Why is it so Hard to be a Fan at Work?

Monday, February 1, 2016

Every fan loves to express their devotion to their favourite show, film, or comic. Now more than ever, they have a plethora of ways of doing so too,…

FELIX

Six Questions Every Creator Needs to Ask Themselves

Friday, January 16, 2015

Everyone can create, but should everyone create? Plenty of great ideas never get off the drawing board, and seemingly terrible ones manage to make it all the way…

Independent Animated Features: 10 Questions That Need Answering

Thursday, March 13, 2014

Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.

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