This week saw the announcement of not one, but three reboots to popular old shows. The Powerpuff Girls are being trotted out again, ReBoot gets well, rebooted, and even the Three Stooges refuse to die with a new animated show in the works. It’s all too much for me to bear!
If the thirteen episodes mentioned in the title seems a bit short, just imagine how the Simpsons would be viewed today if the original order was all that was made. Would it still be viewed as a classic, or be relegated to a footnote of television history? Regardless of what would have happened 25 years ago, the future is pointing inexorably towards series runs of a predetermined length and story structure.
Great TV is everywhere nowadays, at least that what everyone is telling me. Creators are pushing boundaries, genres are being stretched, and cultural barriers are falling. If only it were all true! Great TV is like Punk Rock in more ways than one, and what is on our screens nowadays isn’t inspiring me to get a leather jacket, or a mohawk.
This month I chat with Jeff Cooper and Grahaeme Cowie of Smoking Doors Productions about their animated webseries Impotents and the Kickstarter campaign their currently running to get it made. Besides spilling the beans on the series itself and what we can expect, we discuss why they chose Kickstarter and how much planning and effort goes into running a campaign. If you’ve ever been curious about it, you’ll want to have a listen.
Art is always held in high cultural esteem, yet only the best and most widely acclaimed retain any kind of longevity. The rest is quite literally disposable as any dumpster behind a library will happily attest to. Animation is no different than any other art, and just like them, the internet has brought about an even greater degree of disposable animation and produced a real struggle to create cartoons with any sense of quality, and timelessness.
Everyone can create, but should everyone create? Plenty of great ideas never get off the drawing board, and seemingly terrible ones manage to make it all the way…
Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.
Over on the Society for Animation Studies blog, Lauren Carr writes about what she perceives as a crisis in animation studies stemming mainly from a desire by students to simply learn the software tools rather than the technique and theory behind animation. If that’s true, then we are heading for an impending apocalypse in the field from which it will be very difficult to recover.
In a brief, but all too painful and to-the-point post over on Tumblr, Keith Lango lays out what it means to create animation for mass consumption. It’s an…