Although the company hasn’t got as far as MTV when they chopped-off the ‘Music Television’ part of their identity, YouTube is nonetheless following them down the same beaten path. Anyone can still post content for free of course, but it is everything that surrounds that tenant of the service that has changed, and not necessarily for the better.
Nickelodeon is launching an OTT service. Yes, basically it’s like Netflix, but just for Nickelodeon shows. That should be an awesome announcement, right? Well, in theory, yes, it should. However the reality is different. Nickelodeon is a major producer of animation in the US, and by launching an OTT service, it endangers the future of the artform.
After a break for the holidays, the podcast returns! This month I chat with animator J.K. Riki who also runs Animator Island.
We touch on a wide range of topics including but not limited to, why people become passionate about animation, is CGI quality an issue in features, and did the Lion King ruin 2D theatrical animation.
As ever, leave a comment below or send me an email to offer any feedback you have. Apologies for the muffled sound; Verizon DSL does not tolerate cold weather very well.
Everyone can create, but should everyone create? Plenty of great ideas never get off the drawing board, and seemingly terrible ones manage to make it all the way to YouTube. Everybody is different of course, but before they even start creating, here’s six questions every creator needs to ask of themselves.
One of the perennial struggles that I seem to have when it comes to feature films is that they often lose my interest well before the climax, or even the third act. The only difference that truly defines films are their length; everything else is relative, and animated films are no exception. However, there’s a simple trick to making a really great film, and all it involves, is listening to a song. Read More
Everyone can create, but should everyone create? Plenty of great ideas never get off the drawing board, and seemingly terrible ones manage to make it all the way…
Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.
Over on the Society for Animation Studies blog, Lauren Carr writes about what she perceives as a crisis in animation studies stemming mainly from a desire by students to simply learn the software tools rather than the technique and theory behind animation. If that’s true, then we are heading for an impending apocalypse in the field from which it will be very difficult to recover.
In a brief, but all too painful and to-the-point post over on Tumblr, Keith Lango lays out what it means to create animation for mass consumption. It’s an…