Feb
8

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An Interview with Independent Animator Signe Baumane

Latvian-born, New York City-based Signe Baumane has made a name for herself through her consistently intriguing works and willingness to tackle topics that others do not. Her 2014 feature film Rocks in my Pockets received widespread praise from critics and viewers alike. Currently in the midst of producing her next feature, My Love Affair With Marriage, Signe graciously took some time to answer a few tough questions from me.

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Jan
10

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It’s Finally Time to Ignore the Hype

Hype and excessive hype surrounds animated films these days. It’s an endless parade of marketing strategy and clever psychological tricks that leaves audiences constantly in a state of suspense. The good news is that we’ve finally reached a point where we can ignore it altogether.

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Dec
8

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Why America Remains a Magnet for Animators: An Interview with Ricky Renna

Animation on a global scale is growing like never before. Unlike times gone past, there are now a multitude of local employment choices for animators in many countries. That said, America continues to be a draw for many foreign artists. I talked to Blue Sky animator Ricky Renna to find out why.

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Nov
3

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What Kind of Challenges Does the Independent Producer Face?

Although I tend to focus more on larger industry matters here on the blog, I’ve an interest in smaller issues as well. For instance, what kind of things affect the independent animation producer. Frshta Mangal currently serves as producer of the animated series Library of Horror. She took the time to answer some of my questions on some of the unique challenges that she’s faced as the project came together.

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Sep
9

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How YouTube’s Algorithm Stifles Animated Content

YouTube’s algorithm isn’t a friend of animation as of late. Changes announced a few years ago created a storm of protest from creators as they realised their revenues were at risk. Since then, things have failed to get better, and an analysis of the company’s method of delivering content proves that animation as an artform is not welcome on the platform.

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Questions

Independent Animated Features: 10 Questions That Need Answering

Thursday, March 13, 2014

Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.

Is There an Impending Apocalypse in Animation Studies?

Thursday, February 27, 2014

Over on the Society for Animation Studies blog, Lauren Carr writes about what she perceives as a crisis in animation studies stemming mainly from a desire by students to simply learn the software tools rather than the technique and theory behind animation. If that’s true, then we are heading for an impending apocalypse in the field from which it will be very difficult to recover.

Why do you Animate?

Wednesday, February 12, 2014

In a brief, but all too painful and to-the-point post over on Tumblr, Keith Lango lays out what it means to create animation for mass consumption. It’s an…

Why Do Female Characters ‘Have’ To Look Feminine?

Tuesday, January 28, 2014

Female characters often have a tough time with variety. While there is plenty of debate and discussion surrounding the prevalence of stereotypes that send poor messages to viewers, there is something else that is completely overlooked. Dave Pressler ponders the interesting question of why female characters are often forced too look feminine by executives.

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