Asides

Irish Week: Why Everyone Ought to Read An tEachtaire

It’s that time of the year again, when everyone pretends to be Irish and the real Irish milk it from the American tourists for all it’s worth. St. Patrick’s Day is on Thursday so until then, this post is part of a series on Ireland and Irish-related animation. You can browse the full series here.

Via: Leabhar.com

For those of you who aren’t Irish, the title of this comic won’t mean a thing. For those who are and who had Irish hammered into passionately taught to them, they know that a tEachtaire means messenger in Irish.

So who would happen to be the messenger in an Irish comic? Why St. Patrick himself of course!

The comic in question is written by Colmán Ó Raghallaigh and illustrated by…….Tomm Moore! It centres around the life of St. Patrick as he is kidnapped from Wales as a young lad and forced to mind sheep on a mountain. After he flees, he has a series of dreams where the Irish call him back to teach them the Gospel. Patrick does so and spends the rest of his life converting the heathens pagans into Christians.

That particular version of the story is a bit boring for a comic, so Ó Raghallaigh has spiced it up a wee bit with a focus on the drama and some marvelous illustrations by Moore. There are plenty of displays of agony, torment, confrontations and Celtic imagery, as can be seen below.

It’s not overly long, although as you get into the story, length become rather irrelevant as your mind begins to wander as the illustrations come to life inside your head. Both authors have managed to create a very cohesive comic that simply could not be anything but Irish in origin.

I found my Irish had become rather rusty after a few years away from home although there is an English translation available so you’re not left completely in the dark.

I must say it was a very pleasant surprise to find this under the Christmas tree (kudos to my girlfriend for knowing me better than I know myself) and I found it re-awakened an awareness that Ireland has a rich and varied history that is more than capable of being translated for modern audiences.

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Would You Like To Win A Bunch of Incredible Original Artwork?

Who wouldn’t, right?

Well, Australia’s favourite son (the real one), Elliot Cowan is currently running a competition based on his multiple award winning all-conquering Boxhead and Roundhead shorts.

To win, all you need to do is answer a ridiculously simple question posted on the competition site before the April 5th deadline.

Now, I need to start clearing some space on the walls for the impending addition to my art collection 😛

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Now You Can Read About The King Of Indie Animation

Via: Bill Plympton on Scribble Junkies

A real quick post to relay the news that Independently Animated, a whole book dedicated to the amazing career of Bill Plympton launches today March 22nd. I’m at work so I can’t post a lot but it was co-authored by my good friend David B. Levy so you know it’s a good read.

You can buy it here or, read this great interview with the man himself over on Cool Hunting.

EDIT: I lept before I looked. Woops! Oh well, it’s as good a time as any to post it 🙂

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Has Pixar Jumped The Shark With The Posters For Cars 2?

Via: The Animation Blog

Some say the bigger question is whether Pixar will jump the shark with Cars 2 itself, but it is still too early to tell. However, when it comes to the promotional posters, I think they’ve already done it.

The reason is simple, the posters are rather lackluster in overall design. Don’t get me wrong, they look nice, but if you’re going to ape classic Grand Prix posters, you might as well do it right.

As far as I know, Cars 2 involves a world-wide race of some sort, so it would seem like a great idea to release a few posters featuring the characters in famous cities around the world, right? Yes, of course. Pixar has been here before with the Wall-E and UP teaser posters (created by Eric Tan) that it released before those films hit the cinemas. Personally, I think they’re a great idea to drum up support from the fans and to promote the film in a slightly different and off-beat manner.

So far they has succeeded. The posters for Wall-E had a kind of quirky, Googie-like charm to them and the UP posters relied heavily on the old travel ads of the past to make light of the film’s plot.

However, when it comes to Cars 2, I think they’ve missed the mark only slightly. The main elements are certainly there. The car at the forefront, the background definitely waaay in the back. There’s no chance of mistaking where the action is or what is going on.

The main problem that I can see, though, is the character themselves. It’s just them! Sure there are a few cars in the background racing along, but for the most part, it is just a single character with a few speed lines drawn in to show that they are supposed to be moving.

How does that compare with a real Grand Prix poster? Check out the samples below.

Via: Wikipedia

Via: AllPosters.com

A race to the finish line? A duel to the death? I certainly think so. There is so much more action portrayed, so much more excitement! I want to see that Grand Prix! Just be thankful I can’t find the poster where the car literally has flames coming out the back of it!

So you see why I think the Cars 2 posters are a bit tame. They allude to the great posters of the past, but they are, at best, a timid recreation with none of the excitement and drama of the real thing. Cars 2, by the sounds of things, could certainly have benefited from a harder edge but perhaps that was vetoed by someone along the line.

So how far off are they? Check out this poster for the antique Monaco Grand Prix held last year. A thoroughly modern poster but with all the classic elements of the genuine article. It can be done.

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Is Luc Besson Stirring Up Some Animated Goodies?

Via: /film and Bleeding Cool

By the looks of the image above, yes he is.

By the looks of things, ‘A Monster in Paris’ may turn out to be an interesting sort of film. I don’t know about you, but the first thing that popped into my head was Gru from Despicable Me. Must be the broad shoulders.

As /film points out, there is still little if any info on the plot so for now, we’re left guessing and it is still early stages as the film isn’t scheduled to be released until late this year (2011) in France with a wider release after that. Hopefully we’ll have the full details soon. I’m curious to see how the differences between American and European CGI films have changed over the years.

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What If Disney Had Produced Pixar Sequels Instead?

Via: Bob & Rob

The answer may be found over on the blog of Bob & Rob, otherwise known as Bob Hilgenburg and Rob Muir, screenwriting duo.The image above is from their version of Toy Story 3.

They’re recently been posting some of their work from what was known as Circle 7 over on their blog. Don’t know what that is? Never mind, I didn’t either until recently. Basically, Circle 7 was set up by Disney after their relationship with Pixar began to go south with the goal of producing sequels to the five Pixar films released under the original agreement of which Disney owned he rights to. Circle 7 was shuttered when Disney bought Pixar and was quickly swept under the rug as if it had never happened.

It is only now that we are starting to see some fragments of what could have been. While there are only stills and a short animatic-esque sequence to be had, you can piece together the jigsaw puzzle to come up with a rough idea of what things could have looked like.

Having said that, it is impossible to tell how these films would have turned out like. It’s quite possible they could have been good, like the recent Tinkerbell films, or they could have gone the other direction, as in the many, many sequels to Aladdin.

Either way, it seems that Pixar has been handed the reigns for producing the sequels now, as if to give them a sheen of authenticity and pedigree. I remain to be convinced however.

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How The Online Video Revolution Could Signal A New Era for Animation

Yesterday, it was announced that YouTube/Google had acquired Next New Networks. While this may not be of huge interest to those of you who tend to skip the business pages, it is nonetheless significant and will likely have some bearing on entertainment for years to come.

The reason is outlined in Fred Seibert (the co-founder of NNN) in his blog post announcing the sale. In it, he draws a lot of similarities between the current state of internet broadcasting and the fledgling cable networks back in the early 80s.

The similarities are, in fact, eerily similar. Back then, no-one really know how to make money, the established players were (extremely) wary of the new medium and the content that’s being offered wasn’t all that great (at least back then it wasn’t).

What does all of this have to do with animation? The answer is plain to see. Without cable, it is highly unlikely (impossible even) that we would have seen the explosion in animation that we saw with the three original Nicktoons, followed by the proliferation of creator-driven shows with (I suppose) a bump in animation at the movies too.

The originial Nicktoons didn’t come around for about 10 years after MTV. The reason for this was basically the lack of cable customers, which has a direct effect on the revenue of a network and as we all know, animation ain’t cheap.

Fast forward to today, and there exists a similar situation. People are embracing the internet but overall penetration is still way below cable, content will be king even more so than in cable and last but not least, even more money will be made by those who get it right.

Next New Networks may not be focused solely on animation (although it does broadcast Channel Frederator) but I think it is extremely likely that within 10 years, we will see a channel devoted solely to animation. Joe Murray is off to a great, early start with KaboingTV, which launches next month.

As the optimistic type, I think animation will continue to be a part of the entertainment landscape long after Comcast has been de-throned.

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Weekly Weblink: The Mega-Awesome Kt Shy

As I’ve mentioned before, I follow a lot of blogs of various kinds, but my favourite ones are undoubtedly the illustration and sktech ones. The reason is simple, they always contain tons of great pictures and the very nature of them means they are updated relatively frequently with fantastic new works.

One of my very favourite illustration/sketch blogs belongs to the one and only Kt Shy the erstwhile alias of Canadian artist, Katie Shanahan on the interwebs. Self-described on twitter as a “storyboard artist by day and comic making nut-bar by night!”. She does have over 2,400 followers for a reason you know!

Besides the hilarious Shrub Monkey’s comic that Katie helps draw, she also posts tons of sketches and illustrations that cover a very broad range of the artistic universe, from anime to day to day life. What sets them apart is the almost manic sense of humour that permeates them all (or, well, most of them anyway).

Kt updates regularly and her posts are always a joy to read (or see). 🙂

PS. hit up the links page of her blog for a list of plenty of other exceptionally talented folks.

 

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David OReilly’s Freudian Review of Tangled

Disclaimer: I don’t normally post stuff that isn’t suitable for all ages but this is a slight exception. Exercise restraint if you are easily offended!

Yesterday (Thursday), in an amusing hour and a half, David OReilly (the Irish fella that has a wicked sense of humour, and who made these films) watched Tangled. He tweeted his thoughts as follows:

http://twitter.com/davidoreilly/status/43354415456976897

http://twitter.com/davidoreilly/status/43356373060292609

http://twitter.com/davidoreilly/status/43358448968155136

http://twitter.com/davidoreilly/status/43363060357926912

http://twitter.com/davidoreilly/status/43367503044419584

http://twitter.com/davidoreilly/status/43386156641038336

Lastly his recommendation:

http://twitter.com/davidoreilly/status/43388148054626304

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