Animation

Cars 2 Currently ‘Rotten’


As of this morning (June 22nd), with release just two days away and with 20 of the top critics reporting, Cars 2 is currently sitting at 55% (EDIT: has dropped to 52% as of the afternoon), which is considered ‘rotten’ over a the movie review site, Rotten Tomatoes.

While it is still far too early to judge the films actual performance (there’ll be plenty of time for that in the coming days), it is nonetheless a worrying sign that almost half of the critics who have seen it have given it the thumbs down. Of course, RT ratings have to be taken with a grain of salt; plenty of films I love have gotten a ‘rotten’ rating from the critics but are loved by the fans.

Compare that with Toy Story 3 last year, which was sitting at 100% from the beginning until one critic decided otherwise. If that doesn’t say something about the difference in quality, I don’t know what does.

So we will have to wait and see, but in what I’m sure is a coincidence, Floyd Norman posted yesterday about when a film isn’t going so well, and he gives us this great sentance:

Most can see the wheels coming off the wagon early on, but we dare not say anything because we risk the wrath of those employing us. So we keep smiling as the train goes over the cliff.

The sad part is that Pixar has had us believe that as much creative energy went into Cars 2 as did Toy Story 3.

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Sometimes I Raid my Tumblelog For Inspiration…

…and instead I become engrossed in the stuff I find there, even from years ago. Feel free to follow me if you’re on Tumblr too. 🙂

Here’s a few of the wilder examples of animation stuff I rediscovered.

Mickey contemplating recent developments in the world of medicine
Homer shilling my favourite shoes
Woody hitting the moonshine
The Big Bad Wolf from the Three Little Bops
The real-life Wacky Races

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A Look At Master Cyclonis: A Rare Famale Villain

Debuting a few years ago on Cartoon Network is a Canadian show produced by the best-named studio I have come across to date: Nerd Corps. Based on the planet Atmos, Storm Hawks centres around a group of rag-tag young adults who wish to gain the same respect that a previous iteration of the group had.

The premise of the show is that the planet is composed mainly of atmosphere, with various rocky “islands” as the only areas where people live. Each island or group of islands are considered different countries or kingdoms. As with most shows, there are good and bad ones with the show focusing on the confrontations between the two.

Kids shows generally seem to keep within a fairly narrow range when it comes to villainy. Evil businessmen, dark wizards and overbearing authority figures are all the standard fare. However, the vast majority of them are male. Exceptions generally include shows aimed at girls or with girl leads. Which makes Storm Hawks the exception, it’s a fairly gender-neutral show with a mixed group of lead characters and plenty of variety in the supporting cast.

Of interest today is the leader of the ‘bad’ side, collectively known as Cyclonia, headed up by Master Cyclonis. The reason for focusing on her is that she is a rare character, a female baddy, and a fairly heartless one at that. The official description is as follows:

Diabolically intelligent and a master of crystal transformations, the Queen of Cyclonia is hell-bent on extending her new kingdom by force. Extremely paranoid, she only trusts her shadowy henchman, the Dark Ace. Her Talon thugs are in constant fear of falling into her disapproval, which happens a lot.

Master Cyclonis is unique in that she is the same or of similar age to our protagonists. She is not some wrinkly old hag who is clinging on to her throne, she is very much the opposite, looking to widen her influence and consolidate her control over Cyclonia, the lands she rules and beyond.

Often seen wearing a cape and hood, Cyclonis appears dark, in effect concealing her powers from those around. Such a disguise of sorts could be seen as an attempt to subvert or trick the unwitting. When in battle or angered, the hood retracts into a headdress-like set of petals that emphasize her heightened mood. Her comparatively tall stature reinforces her position over others.

While some people have speculated that Cyclonis embodies the ‘goth’ style (see above), I would have to disagree. Yes, she dresses dark clothes, wears what appears to be heavy amounts of eye shadow and has pale skin, such features only serve to contrast her appearance with others and to indicate the dark nature of here character.

Master Cyclonis (like all the characters in Storm Hawks) displays a lot of emotion through her eyes. They’re large size are put to good use as they narrow to convey anger, displeasure or both and widen to illustrate her surprise. Her heavy eyebrows emphasize these emotions.

As a character, Cyclonis displays all the hallmarks of a classic villain including a lust for control and power, a careless attitude towards those who serve her, a demanding attitude and a lack of tolerance when it comes to failure.

Repton: I couldn’t care less about your plan, Cyclonis! What’s in it for the Raptors?
Master Cyclonis: Untold riches to start.
[Cyclonis zaps Repton]
Master Cyclonis: And I’ll promise not to crush your measly little Terra Bogaton.

Much more than your usual bone-headed bad guy, Cyclonis is conniving and clever. She is not just a skilled fighter but is also intelligent enough when it comes to her style of attack. While physically she is comparable to the Storm Hawks, she is also crafty enough to engage in psychological warfare. In one particular episode, she plays on the fact that Piper is the lone girl in the group and is only thwarted because of Piper’s superior intellect.

While her character inspires a lot of fear, it does draw upon pity. Ultimately she is a lonely character not unlike Lord Voldemort in Harry Potter. Yes, he has untold power and people at his disposal, but as Harry points out in The Order of the Phoenix, he is a lonely figure who has been and will continue to be isolated because of his demeaning nature and his unquestionable evil nature.

Master Cyclonis adds a lot of complexity to an otherwise decent series. The fact that she is a female adds to the unnerving nature of her character, the fact that she is also quite ruthless is belied by her age and her level of skill and mastery in the art of fighting is proof of her stature.

If you have not already, she is well worth checking out as a villain.

 

 

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This Video Has 7 Million Views for a Very Good Reason

Fireman Sam is just one of a long, long line of children’s shows featuring respectable members of the community who serve as a role model for kids. I was always more of a Postman Pat kind of kid, but Sam is pretty much the same, except he’s a fireman.

Why does the opening title have over 7,000,000 views? Well, a lot of kids grew up watching Fireman Sam and watching it pretty regularly too. The opening is a connection to the their childhood in more ways than one.

The episodes themselves mean far less than the title for the simple reason that it was consistent across all the episodes. The title signalled that a good time was about to be had and watching it again as an adult brings up all those happy feelings from years ago. With 60 million people living in Britain alone, it’s easy to see how the this video could get to 7 million views just on nostalgia.

Things are no different for today’s shows. In 20 years time there will be plenty of adults out there who go all soft at the theme tune for SpongeBob SquarePants.

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How Mickey Mouse Beat The Shit Out Of Thomas Jefferson

Below is an excerpt from a piece posted over on Techdirt by Lloyd Kaufman on the subject of copyright, the public domain and the Founding Fathers. It’s a great post in its own right, but when it gets really interesting (for us) is when he starts talking about animation and how one company in particular seems to have been the driving force behind the various copyright extensions over the years.

It also serves as a nice preamble to an upcoming series of posts here on The Animation Anomaly dealing with the various legal dealings that animators should be aware of.

HOW MICKEY MOUSE BEAT THE SHIT OUT OF THOMAS JEFFERSON

In 1928, Mickey Mouse appeared in the first sound-synchronized cartoon, Steamboat Willie , which was a parody (in Disnenglish, a copyright infringement) of a Buster Keaton film, “Steamboat Bill, Jr.” Mickey Mouse became an instant star and Walt Disney’s meal ticket. By 1956, when “Steamboat Willie” was all set to enter the public domain, Disney had become a powerhouse corporation, and it interceded on little Mickey’s behalf:

Disney Executive: You see, Senator, if “Steamboat Willie” were to belong to the public, they would pretty much own Mickey Mouse, too. And we can’t let that happen.

Senator: No, no. We must protect Mickey.

Disney Executive: What we need, Senator, is an extension of the copyright law. That way, we can keep Mickey safe.

Senator: Yes, yes. We must protect Mickey.

Disney Executive: Yes, Senator, we must protect Mickey.

The Disney executive puts away his hypnotist materials, leaves a pile of cash on the table, and leaves. The hypnotized senator wakes up with the overwhelming urge to protect Mickey Mouse. Days later, copyright law is extended.

Buster Keaton, however, continues to receive food stamps.

This scene is repeated in 1984 and 2003. “Steamboat Willie” will remain the intellectual property of Disney until 2023, almost 100 years after it was created and many, many years after the last person who worked on it became snail food. And at some point before 2023, I’m guessing the copyright laws will be extended once again.

An interesting little twist to this whole story, which was sent to me by steamboat4eva@hotmail.com, is that someone at Disney discovered in the 1990s that “Steamboat Willie” may actually be in the public domain already. This was due to a mistake in the wording of the original copyright. A law student at Arizona State University investigated this claim and agreed [article link for the curious]. Then another law student at Georgetown wrote another paper confirming the claim. At this point, Disney threatened to sue the student and the claim hasn’t been uttered since.

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Remembering that Cartoons Can Come From Anywhere

Via: Wikipedia

Producer Tristan Homer was kind enough to send over an e-mail to inform me that Almost Naked Animals, the latest show by Noah Z. Jones began broadcasting this week on Cartoon Network (the website is down right now, so here’s a link to their YouTube page instead).

Some of the comments below highlighted the fact that the show is produced in Canada and the tone seemed to imply that such a fact makes it somehow sub-standard. Such beliefs are hollow to the extreme.

Cartoons can come from anywhere, in fact, just last week, Nickelodeon announced they had picked up the entire Winx Club series which is produced in Italy! The same goes for Totally Spies which was produced by Marathon in France.

Growing up in Ireland, it admittedly came as a bit of a shock to learn that cartoons were produced in Dublin (courtesy of the old Sullivan-Bluth studio). Until then, I thought that all cartoons were made in Hollywood (must have been watching too many Looney Tunes and/or Tom & Jerry).

With today’s modern technology, good animation can (and does) come from just about anywhere. Just because a show come from Canada is no basis for judging its quality.

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The Fleischer Superman Shorts, Now Available on Netflix

Via: the Superman Wiki

The other day, while browsing the “Recently Added” section of Netflix, I was pleasantly (although not entirely) surprised to see that the entire series of Superman cartoons by the Fleischer Brothers had been added and were available to instant streaming.

Suffice to say they were added to the instant queue immediately.

Via: Classic Film Freak

 

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