June 2011

A Look At Master Cyclonis: A Rare Famale Villain

Debuting a few years ago on Cartoon Network is a Canadian show produced by the best-named studio I have come across to date: Nerd Corps. Based on the planet Atmos, Storm Hawks centres around a group of rag-tag young adults who wish to gain the same respect that a previous iteration of the group had.

The premise of the show is that the planet is composed mainly of atmosphere, with various rocky “islands” as the only areas where people live. Each island or group of islands are considered different countries or kingdoms. As with most shows, there are good and bad ones with the show focusing on the confrontations between the two.

Kids shows generally seem to keep within a fairly narrow range when it comes to villainy. Evil businessmen, dark wizards and overbearing authority figures are all the standard fare. However, the vast majority of them are male. Exceptions generally include shows aimed at girls or with girl leads. Which makes Storm Hawks the exception, it’s a fairly gender-neutral show with a mixed group of lead characters and plenty of variety in the supporting cast.

Of interest today is the leader of the ‘bad’ side, collectively known as Cyclonia, headed up by Master Cyclonis. The reason for focusing on her is that she is a rare character, a female baddy, and a fairly heartless one at that. The official description is as follows:

Diabolically intelligent and a master of crystal transformations, the Queen of Cyclonia is hell-bent on extending her new kingdom by force. Extremely paranoid, she only trusts her shadowy henchman, the Dark Ace. Her Talon thugs are in constant fear of falling into her disapproval, which happens a lot.

Master Cyclonis is unique in that she is the same or of similar age to our protagonists. She is not some wrinkly old hag who is clinging on to her throne, she is very much the opposite, looking to widen her influence and consolidate her control over Cyclonia, the lands she rules and beyond.

Often seen wearing a cape and hood, Cyclonis appears dark, in effect concealing her powers from those around. Such a disguise of sorts could be seen as an attempt to subvert or trick the unwitting. When in battle or angered, the hood retracts into a headdress-like set of petals that emphasize her heightened mood. Her comparatively tall stature reinforces her position over others.

While some people have speculated that Cyclonis embodies the ‘goth’ style (see above), I would have to disagree. Yes, she dresses dark clothes, wears what appears to be heavy amounts of eye shadow and has pale skin, such features only serve to contrast her appearance with others and to indicate the dark nature of here character.

Master Cyclonis (like all the characters in Storm Hawks) displays a lot of emotion through her eyes. They’re large size are put to good use as they narrow to convey anger, displeasure or both and widen to illustrate her surprise. Her heavy eyebrows emphasize these emotions.

As a character, Cyclonis displays all the hallmarks of a classic villain including a lust for control and power, a careless attitude towards those who serve her, a demanding attitude and a lack of tolerance when it comes to failure.

Repton: I couldn’t care less about your plan, Cyclonis! What’s in it for the Raptors?
Master Cyclonis: Untold riches to start.
[Cyclonis zaps Repton]
Master Cyclonis: And I’ll promise not to crush your measly little Terra Bogaton.

Much more than your usual bone-headed bad guy, Cyclonis is conniving and clever. She is not just a skilled fighter but is also intelligent enough when it comes to her style of attack. While physically she is comparable to the Storm Hawks, she is also crafty enough to engage in psychological warfare. In one particular episode, she plays on the fact that Piper is the lone girl in the group and is only thwarted because of Piper’s superior intellect.

While her character inspires a lot of fear, it does draw upon pity. Ultimately she is a lonely character not unlike Lord Voldemort in Harry Potter. Yes, he has untold power and people at his disposal, but as Harry points out in The Order of the Phoenix, he is a lonely figure who has been and will continue to be isolated because of his demeaning nature and his unquestionable evil nature.

Master Cyclonis adds a lot of complexity to an otherwise decent series. The fact that she is a female adds to the unnerving nature of her character, the fact that she is also quite ruthless is belied by her age and her level of skill and mastery in the art of fighting is proof of her stature.

If you have not already, she is well worth checking out as a villain.

 

 

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This Video Has 7 Million Views for a Very Good Reason

Fireman Sam is just one of a long, long line of children’s shows featuring respectable members of the community who serve as a role model for kids. I was always more of a Postman Pat kind of kid, but Sam is pretty much the same, except he’s a fireman.

Why does the opening title have over 7,000,000 views? Well, a lot of kids grew up watching Fireman Sam and watching it pretty regularly too. The opening is a connection to the their childhood in more ways than one.

The episodes themselves mean far less than the title for the simple reason that it was consistent across all the episodes. The title signalled that a good time was about to be had and watching it again as an adult brings up all those happy feelings from years ago. With 60 million people living in Britain alone, it’s easy to see how the this video could get to 7 million views just on nostalgia.

Things are no different for today’s shows. In 20 years time there will be plenty of adults out there who go all soft at the theme tune for SpongeBob SquarePants.

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How Mickey Mouse Beat The Shit Out Of Thomas Jefferson

Below is an excerpt from a piece posted over on Techdirt by Lloyd Kaufman on the subject of copyright, the public domain and the Founding Fathers. It’s a great post in its own right, but when it gets really interesting (for us) is when he starts talking about animation and how one company in particular seems to have been the driving force behind the various copyright extensions over the years.

It also serves as a nice preamble to an upcoming series of posts here on The Animation Anomaly dealing with the various legal dealings that animators should be aware of.

HOW MICKEY MOUSE BEAT THE SHIT OUT OF THOMAS JEFFERSON

In 1928, Mickey Mouse appeared in the first sound-synchronized cartoon, Steamboat Willie , which was a parody (in Disnenglish, a copyright infringement) of a Buster Keaton film, “Steamboat Bill, Jr.” Mickey Mouse became an instant star and Walt Disney’s meal ticket. By 1956, when “Steamboat Willie” was all set to enter the public domain, Disney had become a powerhouse corporation, and it interceded on little Mickey’s behalf:

Disney Executive: You see, Senator, if “Steamboat Willie” were to belong to the public, they would pretty much own Mickey Mouse, too. And we can’t let that happen.

Senator: No, no. We must protect Mickey.

Disney Executive: What we need, Senator, is an extension of the copyright law. That way, we can keep Mickey safe.

Senator: Yes, yes. We must protect Mickey.

Disney Executive: Yes, Senator, we must protect Mickey.

The Disney executive puts away his hypnotist materials, leaves a pile of cash on the table, and leaves. The hypnotized senator wakes up with the overwhelming urge to protect Mickey Mouse. Days later, copyright law is extended.

Buster Keaton, however, continues to receive food stamps.

This scene is repeated in 1984 and 2003. “Steamboat Willie” will remain the intellectual property of Disney until 2023, almost 100 years after it was created and many, many years after the last person who worked on it became snail food. And at some point before 2023, I’m guessing the copyright laws will be extended once again.

An interesting little twist to this whole story, which was sent to me by steamboat4eva@hotmail.com, is that someone at Disney discovered in the 1990s that “Steamboat Willie” may actually be in the public domain already. This was due to a mistake in the wording of the original copyright. A law student at Arizona State University investigated this claim and agreed [article link for the curious]. Then another law student at Georgetown wrote another paper confirming the claim. At this point, Disney threatened to sue the student and the claim hasn’t been uttered since.

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Remembering that Cartoons Can Come From Anywhere

Via: Wikipedia

Producer Tristan Homer was kind enough to send over an e-mail to inform me that Almost Naked Animals, the latest show by Noah Z. Jones began broadcasting this week on Cartoon Network (the website is down right now, so here’s a link to their YouTube page instead).

Some of the comments below highlighted the fact that the show is produced in Canada and the tone seemed to imply that such a fact makes it somehow sub-standard. Such beliefs are hollow to the extreme.

Cartoons can come from anywhere, in fact, just last week, Nickelodeon announced they had picked up the entire Winx Club series which is produced in Italy! The same goes for Totally Spies which was produced by Marathon in France.

Growing up in Ireland, it admittedly came as a bit of a shock to learn that cartoons were produced in Dublin (courtesy of the old Sullivan-Bluth studio). Until then, I thought that all cartoons were made in Hollywood (must have been watching too many Looney Tunes and/or Tom & Jerry).

With today’s modern technology, good animation can (and does) come from just about anywhere. Just because a show come from Canada is no basis for judging its quality.

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When Dual Advertising Makes You Scratch Your Head in Wonder

The other day, the girlfriend bought InStyle magazine for the Taylor Swift article. Long story short, she decided to flip through the entire thing with an eye to creating a blog post about the ads. Well, today I’ve stolen her idea in order to write about one ad in particular.

Dual advertising has been around since day dot, especially in the entertainment industry. How else could studios get their films in magazines and extend the brand beyond the cinema? Espousing a product’s connections to a film or vice-versa is a well worn marketing gimmick that has been proven to work time and time again.

While toys are perhaps the most obvious choice, there have been plenty of example in live-action too. The James Bond films are great examples, he drives an Aston Martin, wears an Omega watch and drinks only Martini.

So without further adieu, let’s have a look at today’s subject:

Warning, large image (c. 1.4MB)

Yes, it’s not an animated film but that’s OK, it’s put out by a studio who used to (and to a certain extent still do) make their bread and butter from animation. Just sit and study it for a minute (you can click through for the full-size version).

Here we have an advertisement that is for O.P.I. Nail Lacquer that has something in it to make the polish appear cracked or worn. Fair enough, but what is that at the top of the page? Why it’s the logo for the Pirates of the Caribbean set of movies that [gasp] is in theaters right now!

Right, so, the ad attempts to tie the pirate movie with the cracked nail polish. Fair enough. I don’t see much of a connection between the two anyway, so how does the ad accomplish this task? By putting a mermaid in there!

Now when you think of Disney + Mermaid, Pirates of the Caribbean is not the first film to pop into my head. While there may be mermaids in the latest installment, that’s certainly news to me. Although to be fair, they have thrown in a pirate ship in the background for good measure, even though it’s just sitting there doing nothing.

Secondly, the tag is “Nail color you’re sure to TREASURE!” OK, but again, why do you say that when all there is in the background is a boat and a mermaid? When I think of treasure I think of a chest of gold, no? Ostensibly the “treasure” connection is supposed to be upheld by the already implied connection to “pirates”. However, visually, there is nothing to reinforce it and as a result, the tagline seems wholly inappropriate to the setting.

Lastly we have the only truly obvious connection to pirates:

(apologies for the poor scan, apparently magazines are tricky when it comes to that)

Gut-wrenching pun aside, it is buried down in the bottom right corner of the ad, where you have to have read the rest of the ad before you get to it.

All in all, this is the kind of dual-branding advertisement that makes you wonder how on earth these two came together. Sadly , it seems that it has a marketing department stamp all over it. No thought seems to have been given to the context of the product or the film. Yes, a pirate film is hard to sell, but that should not mean throwing all sensibility to the wind, right?

I mean, nail polish? No-one outside of an ad agency or marketing department desperate to share ad costs would even consider putting the two together. It’s not a particularly dumb move, but it doesn’t exactly shine with inspiration either.

Smart tie-ins can greatly improve a film’s commercial health and can provide a positive association between the product and the film. Done well it can bring in millions for both parties, but done poorly, it can leave each looking desperate and foolish.

 

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The Fleischer Superman Shorts, Now Available on Netflix

Via: the Superman Wiki

The other day, while browsing the “Recently Added” section of Netflix, I was pleasantly (although not entirely) surprised to see that the entire series of Superman cartoons by the Fleischer Brothers had been added and were available to instant streaming.

Suffice to say they were added to the instant queue immediately.

Via: Classic Film Freak

 

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Recommnded Reading: Dresden Codak’s Tumblelog

It’s been a while since I’ve done a website recommendation and in order to get a bit of structure back into this blog, it’s time to start doing them again.

Today, it is the turn of Dredan Codak a.k.a talented maestro, Aaron Diaz.

If you’re not already familiar with Dresden Codak, you probably should get yourself over to the website and do some catching up. It’s a superb (web)comic with a diverse cast of characters and a great look/design.

However, that is not what I’m recommending today, well it is, but the actual site is slightly different. It’s actually the Dresden Codak tumblelog, “Indistinguishable From Magic“.

Plenty of artists use Tumblr as more of an auxiliary blog for posting scraps, development work, personal stuff, etc. Others, like the too-talented-for-words Dan Meth actually use it as the base of their entire website!

Either way, many people appreciate the flexibility that Tumblr provides in terms of design and use as well as the following capabilities and reblogging features that help grow and maintain a devoted audience.

IFM is no exception to that rule but it is the content that sets itself apart from the rest. Far more than an auxiliary blog, Aaron has turned it into a veritable gold mine of art, advice, opinion and lessons.

For example, his excellent post on character’s figures (see image above) contains the kind of honest advice that is kinda hard to come across these days. One you read it, you begin to look at characters in a whole new light.

Aaron also uses the tumblelog to interact with people who ask various questions on the comic, art and drawing in general. All are answered with the upfront honesty that defines a creator who appreciates the devotion of his fans.

In addition to all of the above, what kind of artist would Aaron be if he didn’t post some cool sketches as well?

Sketch of Janelle Monae

If you’re an artist, comic or otherwise, following Indistinguishable From Magic is a must. You simply cannot miss out on all that Aaron is posting.

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