Animation Articles: March 22, 2020

A selection of the best animation articles including news, opinions, and features from around the world for the week beginning the 22nd of March, 2020.

Animation Articles: March 8, 2020

A selection of the best animation articles including news, opinions, and features from around the world for the week beginning the 8th of March, 2020.

What’s Really Interesting About the New Avatar: The Last Airbender Series

Were you surprised about the announcement earlier this week about a brand-new series of Avatar: The Last Airbender? I sure was, but outside what was discussed around the net this week, there’s a few things that make the announcement really interesting, and potentially game-changing.

Is The Nickelodeon OTT Service Bad for Animation?

Nickelodeon is launching an OTT service. Yes, basically it’s like Netflix, but just for Nickelodeon shows. That should be an awesome announcement, right? Well, in theory, yes, it should. However the reality is different. Nickelodeon is a major producer of animation in the US, and by launching an OTT service, it endangers the future of […]

Animation for Adults has Become Staler than Week-old Bread

Bojack Horesman is Netflix’s attempt to break into the lucrative world of animation that caters to that holy grail known as the male, 18-35 demographic. The innovation of course, is that this is from Netflix, the pretender to the HBO crown of critically acclaimed programming. For all the success of House of Cards and Orange is the New Black, Bojack fails to hit the same mark and provides the latest scrap of evidence that making animation for anyone older than 16 is a conundrum the continues to bedevil anyone willing to take a crack at it. Why is that the case though?

The Unusual Release Schedule for Sailor Moon Crystal Will Set a Precedent

This week sees the highly anticipated Sailor Moon Crystal series begin broadcast. Besides being an entirely new version of the original manga (and not a remake of the original anime), it’s also notable for eschewing traditional licensing-based release models, but interestingly, is not embracing the ‘all you can eat’ type that has defined web-based media. Why might that actually be a good thing, and could it be a model for others to follow?