Deadmau5 And Imogen Heap Crowdsource Animation, But There’s a Problem.

Musician’s Deadmau5 and Imogen Heap teamed up a while ago to create a song, ‘Telemiscommunications’, and now they’re looking to release a video. So far so good. They want it to be animated but instead of going the traditional route, they want fans to animate one second each to be combined into the final film. In their own words:

deadmau5 and Imogen Heap have set up a global competition for animators to produce a segment of the official video to ‘Telemiscommunications’. Tons of people will get to see your work and you’ll get paid a bit for it too if we choose you 🙂 Interested? Follow the instructions below.

Sounds great, right? They’re even willing to pay you for it, something that is often a bone of contention in such affairs when instead of money, you get, y’know, ‘exposure’.

All in all, this seems to be a fairly honest attempt to get each musician’s respective community together for everyone’s mutual benefit, and it is, except for one teeny tiny problem; what they’re paying the artists:

For each second we’ll pay the animators 50 USD

Now I don’t profess to know what the going rate is for animation but presumably it’s much more than $50/second. Over the course of a 4:08 video, the animation will cost $12,400. That sound like a lot, but when you realise that even a middle of the road short film can cost that much per minute, you start to see which end of the barrrel this video is aiming for.

So who exactly is this competition supposed to entice? Clearly it’s too low for any professional animator. At $50 for potentially hours (days?) of work, you’re certainly not doing this for the money. As for exposure, one second of film will not get you anywhere, unless you can make the most singularly brilliant second of animation ever committed to film. See update below. So logically, you must be doing it for your love of Imogen Heap and/or Deadmau5. That’s no bad thing, but I would assume that most artists would rather their fans support them with money rather than time.

Did I mention that you have three weeks to do it? Yup, good luck juggling that in with all the other stuff going on in your life.

To wrap up, it’s a good effort on the part of Deadmau5 and Imogen Heap to engage their fans in such a way, and to at least be willing to offer some form of compensation towards it. However although everyone in the music business is a bit more wary of how money is spent these days, animators have to be wary too, and the payoff to contributing such a miniscule amount of content to a film is hardly worth the payoff being offered.

Update: So yes, I read the article a wee bit too hastily. They’re not asking for one second, but rather closer to 1o seconds per contributor. That would put the total payment quite a bit higher but still not quite enough to make it worth the time and effort.


What Don Bluth Did After He Left Disney

Ah the fun stuff you discover by accident.

So Don Bluth left Disney in 1979 and set up his own studio. However, his first commercial production wasn’t a film. Nope, it was the video below, which, unfortunately, blended a great soundtrack (from Electric Light Orchestra) and animation with a film that was roundly panned. Anyways, enjoy this full-on example of 80s culture from Xanadu.

And as a bonus, here’s a choice comment that I just had to share:

Wool and Pencils in Stop-Motion Loveliness

Found via Dark Roasted Blend, this stop-motion commercial for natural gas makes clever use of wool.

Found via Reddit, this music video for Australian musician Hudson uses a lot of pencils.

Is This Music Video Really the No. 1 Animated Video on YouTube?

Yes, yes it is (although the real top video has been removed).

It appears to be of European in origin with versions in French and German as well as English. The question is, what an 139,452,702 views tell us about this video? Probably that it’s aimed at kids and that most people are watching it for the song more than anything else (at least I hope they are). In any case, this Gummybear fella has a stranglehold on the top 10 and I’m sure he’s making an OK living doing it, regardless of how poor the animation is.





We Are People People Music Video

Here’s a cute little music video from the Australian Band The People People.

Directed by Maik Hempel with colour design by Adele K. Thomas. Their colour scripts are well worth having a peek at too (example below).