character analysis

A Few Thoughts on the New Powerpuff Girl, Bliss

Powerpuff Girls and Bliss

The revelation that the Powerpuff Girls have a sister is certainly surprising. Bliss adds a new dimension to the long-established franchise that arguably is nonetheless long in the tooth. Yet why did it happen now? What is the bigger meaning behind the move? And why is Bliss a product of circumstance?

The Avatar Character Comparison – Katara

Continuing our series of posts on the characters in Avatar: The Last Airbender, we’re taking a look at Katara this week. Needless to say, there are spoilers ahead.

Strong female characters are a favourite of mine, that’s no secret, so it should come as no surprise to learn that I hold Katara in high esteem. She’s the sole female member and although she is outnumbered until Toph joins, is more than capable of being a balancing force to Aang and Sokka. Although the former is the main protagonist of the series, the story does, in fact, revolve around Katara, so it is fitting that she is analysed last.

The Avatar Character Comparison – Aang

Continuing our series of posts on the characters in Avatar: The Last Airbender, we’re taking a look at Sokka this week. Needless to say, there are spoilers ahead.

While it may seem a  bit strange to put the main protagonist (indeed, the centre of the whole show) roughly halfway through the series of posts, it isn’t without cause. It’s simply because the characters to come share much in common with Aang and it is necessary to cover him before we get to them.

The Avatar Character Comparison – Sokka

Continuing our series of posts on the characters in Avatar: The Last Airbender, we’re taking a look at Sokka this week. Needless to say, there are spoilers ahead.

Sokka is the odd man out in Team Avatar for the simple reason that he has no bending abilities. That does little to distract from his character however as he is forced to bring a whole different set of abilities and skills to the series.

Character Sundays: Megara, Hercules’ Madam of Mystery

Something I haven’t realised in the year and a half I’ve been blogging daily is that I really do like looking at characters. I know for some, the animation is the most important part of a film, but for me, it’s the characters that can make or break everything. So, from now on, all Sunday posts will be character studies.

For me, the character of Megara is by far the most intriguing and ultimately the most interesting of all the characters in the film. It’s almost a shame she’s only a supporting character!

Today’s post is a partial re-post from June 2010 when I took a look at the characters of Disney’s Hercules.

Megara is our damsel in distress, although her distress is much more complex than at first sight. She is the romantic interest of Hercules although it takes a while for her to return the favour. Her relationship with Hades is revealed (too late in the film in my opinion) as one that she deeply regrets and results in her desire to help Hercules clashing spectacularly with her obligations to Hades. She is a character constantly in crisis and swings wildly between the Rock that is Hercules and the hard places that is Hades. She is a girl who was placed all her trust in two men (her former boyfriend and Hades) and ends up being betrayed bitterly by both. All of these aspects combine to make Meg the most interesting character in the film. Even though she is infinitely more flawed than the hero, it is she who we sympathize with the most.

As interesting a design as Hades is, it is the females in this film where the character design excels. Staring with Meg, who is an interesting mix of sharp edges and curves. Not being the typical Disney image of womanhood works in Meg’s favour. her clothes are plain, she is bereft of jewellery and her face is rather small.

That being said, the way Meg displays her emotions through her movements is unique in the film. She walks with a certain amount of contempt, perhaps because of the former rejection. There is no suggestion of promiscuousness, but rather that everyone except herself can see her beauty. Her eyes play a critical role in this as she often narrows them when talking to someone but opens them wide to show astonishment or happiness.

Meg holds herself in a way that suits her status as a betrayed person. Her arms are often folded and she tends to keep them to herself, with the exception of the garden scene and accompanying song where she lets herself feel much freer as she experiences the closest thing to happiness for the first time in a long time. Ultimately, Meg is the plain Jane girl that manages to capture the heart of the hero through a winning combination of both beauty and her character. Her design is a similar winning combination that emphasis that beauty is more than skin deep.