anime

Niko Anesti’s Thoughts on Anime

No Character Sunday post today as I didn’t have one lined up and I was gallivanting in New York City yesterday.

Now I’ll be the first to admit that, apart from a very brief otaku phase in 2007-08, I’m just not that into anime in a really serious way. Neither is my good compadre Niko Anesti, but when an anonymous person asked him on his tumblelog today what he thought of it, he replied with a response that pretty much encapsulates my standpoint and proves that anime remains very much a personal thing.

I used to really despise it, but I’ve opened up to it a bit over the years. There’s still a lot that I don’t like. But every now and then I’ll find something that I like, and it’s usually because they do something different with it in some way. I don’t know how to explain it. Like Shin Chan or Panty and Stocking, the art styles aren’t your typical bug-eyed girls that you see all over. Or FLCL, which is mostly done in the “traditional” style, but the story and the characters are just fantastic. Same with Studio Ghibli stuff. And I say “traditional” in quotes because there isn’t really a regular style for anime, just like there is no regular style for other types of cartoons. But what you see most often, and what most people think of when someone says “anime,” are similar kinds of eyes, hair, bodies, etc. Sometimes it looks horrible, sometimes it looks fine. It seems like creativity as far as artwork goes in anime has been on the decline. Older shows like Astro Boy, Doraemon, and Shin Chan all had very unique, recognizable styles. So really, it depends on the quality, not whether or not it’s anime. There are still many I really want to see and just haven’t yet, and then there are others that I just think, “get this shit away from me.”

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Sabrina The Teenage Witch Gets An Anime CGI Makeover

Whenever some mentions Sabrina the Teenage Witch to me, I immediately think of the live-action version starring Melissa Joan Hart of Clarissa Explains It All fame. Why not the comic I hear you say? Well, I don’t ever remember even hearing of Archie comics in Ireland so you’ll forgive my apparent ignorance.

Anyway, yesterday (Thursday) the news came through the wires (I guess I can still say that and know that people know what I mean) that the much-loved teenage witch was getting a new TV show for the 21st century. Some of you may remember the previous animated incarnation but as a refresher, here’s Sabrina in comic form and the recent animated version for comparison:

Via: TV tropes

Via: MovieWallpaper.net

Pretty similar eh? It’s all quite sugary and cute. So, it would therefore be appropriate for her to get a quote/unquote update:

Via: Comics Alliance

Now this is just concept art so there’s not much point in putting too much emphasis on it at this point. However, such “updates” have been done dozens of times in the past, I thought we’d seen the last of it as every character know to man got the CGI treatment.

It’s somewhat unfortunate that such an “update” is deemed necessary for Sabrina. I mean, as a character, she’s not supposed to embue any particularly strong niches. She’s not a goth, or a hippie or a straigh-A student but rather just an average teenager, right?

Well someone has decided otherwise and has reckoned that either Sabrina is ripe for a change or has simply decided to cash in on the erstwhile goth/vampie trend.

I must point out though, that I was unaware that Archie comics themselves have run a “manga” version of the comic for a while know, so this news isn’t quite a shock to me as it was when I read it first.

All the same, I’m concerned how this “new” Sabrina will be portrayed, whatever about the large eyes and spikey hair, it just seems so out of character for her to sport a “tattoo” (in quotation marks because its true nature is up for debate). Is she now a rebel or a deviant (no offence to any tattooed folks out there)?

We’ll have to wait and see but this doesn’t really strike me as an attempt at an earnest and promising version of the character so much as an attempt to catch up with the latest trends.

Did I forget to mention she now has a cape now too?

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It’s Now 10 Years Since the World Was First Spirited Away

 Via: Inside Pulse

Today marks ten whole years since Studio Ghibli first shared Spirited Away with the world. Thus far it is the only foreign film to win the Academy Award for Best Animated Feature, which says a lot about it and its success with foreign audiences.

Spirited Away is one of my favourite films for the simple reason that it has a lot going for it. A great coming-of-age story, a quirky yet layered set of characters, fantastic animation that stays true to traditional methods while incorporating digital technology and a superb score by Joe Hisaishi all combine to make it a very enjoyable film yet at the same time remain an emotional tale.

Its hard to believe its now 10 years old but it is. A true testament to the deftness and skill of Miyazaki and Studio Ghibli. John Lasseter also deserves an honourable mention for handling the better than usual English dub.

Oliver Good over at The National has a nice write-up on how Spirited Away helped break the mould for Japanese movies.

 

 

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Are the Characters the Only Good Thing About Anime?

Three (or four) of the most intriguing characters of any anime series.

Way back in sometime last year, I wrote a post about anime that seemed a wee bit condescending on quite a few levels. In retrospect, I suppose I was referring more to the fan culture surrounding it  than to the animation itself.

Long story short, I recently began watching Witchblade, the first anime show I’ve watched since I bought Neon Genesis Evangelion on DVD a few years ago, and I have to say that I appreciate anime in a much different way than I used to.

Now, I notice that I pay much less attention to the likes of plot, animation and setting and much more attention to the characters themselves. Now perhaps that’s just me, although I tend to judge a film/TV show on the characters more than anything else.

So that led me to begin wondering whether in the case of other anime; is it the characters much more than anything else that provide the appeal of this particular kind of animation?

I mean, why would I find a character in an anime show interesting? That I don’t know, although if I were to hazard a guess it is because anime characters are more complex and layered than their American counterparts, for the most part that is. There are plenty of US and European shows with just as complex characters too.

Such depth naturally allows for a lot of character development throughout a series and helps keep the viewer coming back every week. It’s a bit unlikely that American viewers are coming back for the voice-acting, right? I wouldn’t. (Not to detract from the voice actors who do marvelous work, it’s just that unless your Dan Castellaneta, I’m unlikely to be watching the show for your voice alone).

While there is clearly a story to tell in Witchblade, it is the characters more than anything else that has kept me hooked on the series.

Is it the same for you, or is there something else about anime that keeps you interested in a series?

 

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Anime And Me (Or Anime And I For All The Grammar Police Out There)

Anime. It’s one of those things, you either love it or you hate it, for the most part that is. Unlike the Philly Cheesteak place in Mechanicsburg, PA, where there is no middle ground; you either leave bursting at the seams or still wanting more, anime does have its casual fans. On the other hand, anime seems to have its fair share of fans and detractors alike. As for myself, I don’t love it to death but I don’t exactly hate it either.

For the longest time, my only exposure to the medium was Pokemon and the like. No joke, there’s not a lot of otaku (fans of anime, among other things Japanese) in Ireland, or at least not back in the day when I was growing up. It was only once I moved to the US the first time that I discovered (not entirely by accident I must admit) Neon Genesis Evangelion.

I will freely admit that this is still the only anime show I have on DVD (unless you count one disc of FullMetal Alchemist episodes). It is by far my favourite for reasons I am still not absolutely sure about. It may be the characters who continually collide and explode (or implode as the series progresses) or the overall story arc, I don’t know. What I do know is that I was willing to cough up $50 for the boxset plus the End of Evangelion and I’ve never regretted it.

Fans of western animation sometimes tend to deride or sneer at anime. This happens in reverse as well I should point out. No one form of animation is perfect, despite what Pixar would have you believe. Indeed there is much debate about just what is “anime” exactly. Some consider it any animation to come from Japan, others consider it a more specific form of Japanese animation. I’m going to be lazy for right now and send you to Wikipedia, who is just as vague as you can get on the subject. I intend to post about the origins/differences in a later post anyway.

Anime in general suffers from budgets that would make most Western animators weep for days on end. That’s why they make so much use of recurring backgrounds, limited animation (to the point of using only two or three positions for the mouth, and often having that the only moving thing on the screen) and action scenes that are as generic as you can get. Imagine what the great John K. would say? Actually, not a lot. he has a grand total of three blog posts on the subject. Here’s a quote I couldn’t resist sharing:

A decade after I worked on shows like the Transformers and being ashamed of it, young Spumco artists in the late 90s would come up to me in awe and recite whole storylines about how Gangamons beat up Rotundabeast with his triple tread whitewall tires while his half-human, half-koala girlfriend chewed eucalyptus paste in delight and bore him 17 new Astroboys and girls – all with spiky hair as a reward.

Priceless stuff. Anyway, my opinion towards the medium is that it is certainly no better or worse than western stuff. There were plenty of horrendous cartoons put out for years (decades?) before things got funkier in the 90s. Granted, they were on a scale that doesn’t even come close to something like Pokemon, which has an episode count of well into the thousands at this point, but the quality was much the same.

As for the actual types of shows? Personally, I seem to be able to enjoy something as sugary as Paniponi Dash just as easily as Akira. Arguably, Japan seems to have been able to maintain a sizeable market in serious (i.e. non-comedic) animation. Such a market was sadly lost in the US a long time ago (even with the best efforts of Ralp Bakshi in the 70s).

I don’t watch anime on a regular basis (too cheap to pay for cable) but I do watch it if I find it one somewhere (airplanes, bored, etc.) and I still enjoy it. I guess in a way it’s my guilty secret, even though it’s not really guilty and it’s not really a secret. I did actually attend an anime club on a few occasions. It was fun, and I will say that I really do prefer anime fans to Twilight ones (ughhhh, just typing that gave me the shivers).

As for the genres of anime? Well they’re far more varied than in the west that’s for sure. You can have your pick of action, sci-fi, romance, comedy and even magical girls! Sure, there is some repetition among them, but it’s no worse than an American TV show where the whole family goes camping and calamity ensues when Dad tries to put up the tent or find “natural” food.

A lot of anime also get the feature-length treatment. It’s important to draw a line of distinction between anime TV films (and OVAs) and actual films though. I deeply love the work of Hayao Miyazaki, to infer that his films are on the same level as something like Escaflowne is something that just can’t be done.

We should not have contempt for anime. Sure, the fans can be annoying, the non-synching mouths can be distracting and the percentage of recycled material would make Al Gore proud. But I can’t help but think that even the most die-hard Western animation fan would have to admit that it has made a significant impact on animation here over the last 30 years. If you look past its shortcomings, it can be really rewarding entertainment.

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