Mashups are often seen as being the internet generation’s creation, but the fact is, the concept has been around forever.
So it was quite amusing as I stumbled across this video. Created by Japanese animation studio Gainax, for a Japanese comic convention, DAICON IV, and blending a whole host of eastern and western influences (including ELO) into 5 minutes of animation.
The ReelGirl blog, written by Margot Magowan, recently featured a post that discusses Pixar’s upcoming film ‘Brave’ in the context of Pixar ‘firsts’; this case being their first lead female protagonist. Margot sums it up thusly:
Wow, a female hero is as rare and remarkable as a rat who can cook.
Which is basically the truth, strictly in terms of Pixar films.
Can this be held against Pixar? I’d say not. They’ve only released a relatively small number of films, and a good chunk of them were knocked out during just one lunch! It’s a natural progression that they would get around to doing a girl-centric film eventually. Besides, The Incredibles had an actual female hero in Elastigirl. OK, granted she wasn’t the lead, but she was effectively the co-lead and equal partner in the film.
I agree with Margot in that it is a tad unfair to be crowing about a film that is supposedly a ‘first’ and that also features something that should, and has, been a given in animated films for quite a while.
Continuing out look at a series of magazine covers featuring the Disney princesses as created by the Petite Tiaras tumblelog, (previously parts 1, 2 and 3), we’re onto the final post.
…a cultural filter, igniting the global conversation about the people and ideas that matter most. With a dedication to journalistic excellence, brilliant photography, and powerful storytelling, Vanity Fair is the first choice and often the only choice for the world’s most influential and important audience. From print to the social stream, big screen to smartphone, Vanity Fair is the essential arbiter of our times.
So VF basically proclaims that it’s the best magazine in the world. End of story. Although is Tiana the right character to grace the cover?
Perhaps focusing in on the “igniting the conversation” part of the description, Tiana herself was stirring debate long before she made it to the big screen. Notable for being the first African-American “Disney Princess”, there was much debate about how the character would turn out, and whether it was simply corporate pandering for the sake of political correctness.
All that was dispersed when the film was released, and although it didn’t light the box office on fire, Tiana was praised as a character with much integrity.
Overall, it’s a B+
Rapunzel in Teen Vogue
Although we’ve already covered Vogue, Rapunzel gets a turn in Teen Vogue:
Influence Starts Here. This simple mandate sets Teen Vogue apart. Style-conscious girls everywhere know there’s only one source for relevant fashion, beauty, and entertainment news communicated in a sophisticated tone with the power of the Vogue brand.
Confused? It’s basically marketing speak for “hook ’em when they’re young”.
Compared to Snow White, Rapunzel makes a much more appropriate character for Vogue simply because she is much closer the typical teenager of today, and as a result fits right into Teen Vogue’s target demographic.
Right from the off, it’s clear that the pink is very apt, even if the film itself used lavender instead. All of the stories seem appropriate too.
Overall: A-
Megara in Marie Claire
This magazine bills itself as:
…a compelling media destination that combines provocative features and outstanding fashion to inspire every woman who wants to think smart and look amazing.
That’s probably a bit brief, but I did have to grab it from the Facebook page.
This is perhaps the blandest cover of the lot, but that’s because Megara a a character is quite unique from the others. She’s a bit of an anti-hero in many ways and that makes any “stories” that would be relevant to her not ideal to the front of a women’s magazine.
Other than that, I think style-wise, her own unique style is something that would probably better suited to Harper’s Bazaar or even Jalouse.
So point’s for effort, but ultimately, this cover gets a B- but only because Megara herself is a tricky character to place.
My sinuses feel like they’ve been stuffed with whipped cream, so no usual post today.
But do be sure to read this article from the Hollywood Reporter, which details why DreamWorks Animation is the only studio to crack Forbes 100 Best Companies to work for; all while being independent to boot.
About a month ago I featured a short film by new Irish animation outfit Giant Creative, well since then, they’ve rolled out a whole slate of shorts. They’re a mix of films, tests and actual production work, and they’re all worth checking out.
The marriage of hand-drawn animation and computer-generated imagery seen in the iconic ballroom sequence undoubtedly stirs a pleasant sense of nostalgia, but it also serves as a reminder of the artistic experimentation that has more or less taken leave of Disney’s recent animated features—the fact that the Walt Disney Company has resurrected this piece of work for an additional run conjures an image of a has-been high school football star sipping whisky before a case of old trophies.
I can’t help but agree with her insofar that there is re-releasing a film on the big screen, and re-releasing a film and promoting it as a new release. Disney appears to be doing the latter with this film and the Lion King.
Why they couldn’t simply re-release them as 2-D and avoid the cost of “conversion” is beyond me.
In the course of my day (i.e. before work. during lunch and after work) I come across an awful lot of articles, far more than can be discussed here on the blog, but that are nonetheless important and relevant to the animation community.
However, I’ve found that while there are plenty of places you can go to find the latest press releases (such as here, here and here), there is nowhere that offers a select list of news and feature articles that are essential reading for anyone with even a remote interest in the industry.
So it is with this in mind that I am pleased to announce the new Animation Anomaly Weekly News Digest; a comprehensive yet compact e-mail newsletter that delivers the most important stories of the week directly to your inbox free of charge!
Continuing on with the series (after part 1 and part 2) of taking a look at the Disney princesses on the covers of various magazines as created by the Petite Tiaras tumblelog.
…the lifestylist and cheerleader for millions of fun, fearless females who want to be the best they can be in every area of their lives.
Cosmo edit inspires with information on relationships and romance, the best fashion and beauty, the latest on women’s health and wellbeing as well as what’s happening in pop culture and entertainment…and just about everything else that fun, fearless females want to know about.
Jasmine is one of the more powerful Disney characters and it is disappointing to see that this cover chooses to focus solely on her looks and sex appeal as opposed to the character behind it all.
While Jasmine is undoubtedly beautiful, she is also extremely intelligent and smart. It is difficult and indeed, incomprehensible that she would stoop to using her looks in the manner that this cover suggests.
Overall, this cover is a good fit for the magazine, but the character is a good fit for neither and as a result, this gets an F.
Nylon is an American magazine that focuses on pop culture and fashion. Its coverage includes art, beauty, music, design, celebrities, technology and travel. Its name references New York and London.
On first glance this is a very apt use of the magazine as the tale of Pochahontas does straddle the old and new worlds (i.e. America and Britain).
On the flip side, the cover naturally can’t deal with the technology and music side of things, so it focuses on things like art, beauty and fashion. Although the skew towards these goes a wee bit against the character herself, the cover nonetheless does an OK job of representing the character.
Overall: B-
Mulan in Harper’s Bazaar
Harper’s Bazaar (not to be confused with Harper’s Magazine) has the following mission statement (screenshot because it’s meant to be read this way):
So, does such a pompous mission statement fit for a princess like Mulan? I would say, yes. the cover is tastefully done and although there is a hint of sensationalism about it, it does not jump out at you as it does in some of the other covers we’ve looked at.
Overall: B
Don’t miss next week’s final installment when we look at Rapunzel, Tiana and Megara.
Today, just for fun, I thought I would take a look and see what the top 10 best selling posters are for animated films as told by allposters.com. Unfortunately I can’t get a timeframe on these, so I’m assuming it’s over at least the last 6 months but is probably longer.
In compiling this list, I only included anything over c. 22″ x 34″, in other words, the size you see at the cinema. (Clicking on the image will take you to the relevant allposters.com page).
We didn’t really get Daria back in Ireland. It was either too odd for the stiffs at RTE so those of us without satellite or cable (i.e. almost everyone) were left in the dark.
Skip forward to today, and I’ve managed to move to the country where Daria was made. Even better than that, I met someone who likes Daria, a lot. So it goes without saying that I have now watched every single episode and the two movies and it has become one of my favourite shows.
Why? Quite simply it is the characters. They’re a fantastic smorgasbord of types that you would probably never come across in real life, but who make for enjoyable entertainment nonetheless.
While I could write a post for each and every one of them, it makes sense to focus on two in particular. No, not Daria and Jane but Daria and Quinn. Why you ask? Because they’re sisters but are still polar opposites when it comes to personality, which the series uses every chance it gets for comedic and dramatic effect.
At first glimpse, Daria is deathly boring. She’s mostly expressionless, very rarely conveys any emotion of any kind and to top it off, her voice is as monotonous as the corn fields of Iowa (no offence to Iowans). On the surface, she’s an extremely flat and unlikeable character, and yet, the more we see of her, the deeper and more complex she becomes.
Daria is the school oddball, in other words, quite content in herself but seen by just about everyone else as a weirdo. She’s also the voice or reason, or rather, that of rationality. She sees things in a very black and white manner and has the ability to see past attempts to pull the wool over her eyes.
What is particularly interesting about Daria is that even though she’s a teenager, she displays hardly any of the typical teenage traits. She rarely talks back to her parents and rarely gets into mischief. She’s smart to be sure, but throughout the series her attitude and generally vacant expressions make it difficult to determine when she is enjoying herself.
The series did a great job of including some character growth throughout the series hwoever, and it’s nice to see that, by the end, Daria is well on her way to being a real, sort-of rounded adult as opposed to a selfish child.
Speaking of selfish children, let’s talk about her sister. Quinn is presented as the stereotypical teenage girl. Obsessed with fashion, popularity and friends, Quinn is also a member of the “Fashion Club” whose members talk a lot about fashion but not much else.
Quinn is presented as being an even shallower character than Daria but the difference is that her’s is portrayed much more up front. Her blatant self-interest is made only more pronounced by the fact that she uses her dates as a means to her own ends.
For the majority of the series, Quinn is shown this way, but like Daria, she begins to develop towards the end. In the first movie, “Is It Fall Yet?” we see her come to terms with the fact that she yearns to succeed but is faced with the prospect of having to actually study in order to achieve it. Perhaps fittingly, we see her in the end credits of the second movie, “Is It College Yet?” as someone who appears to have succeeded in life.
Together, Daria and Quinn represent the yin and yang and despite their differences, they do have some similarities. For one they are both relatively indifferent to their parents, they both respect the value of a dollar when it comes to negotiations and they are both quite good at hiding their true feelings from their friends.
Together, both characters add a lot to what could have been a devastatingly dull series. Without them, the surrounding characters would be floating around Lawndale with little to provoke them or bounce off of.
Normally I don’t give Disney merchandise a second glance, mainly because they’re a dime a dozen in addition to being just about everywhere. However, these plates caught my eye recently as I was perusing the local Target.
What did it was that they’re a break from the norm with all their construction lines that are reminiscent of the centerline technique that was popular back in the 1930s. It’s something a wee bit different from the usual, sterile stuff. Anyways, enjoy!