Charles Kenny

Being tall, Irish and a civil engineer by trade, Charles stands out in the animation crowd, hence his position as the Animation Anomaly.

A Scary Dream I Had the Other Night

Via: Stuff We Like.com

Not the kind of blood-curdling, shivers down the spine stuff you understand, Hallowe’en is over for another year after all, but scary nonetheless. In it, I was in a film, a rather peculiar film in that it was a lice-action/CGI hybrid version of that classic Disney cartoon, DuckTales.

Yes, you read that correctly. How it came about, I do not know, although I sure hope it is not a premonition of some kind that is a window into the future. As an animation fellow, that would be unthinkable, a crime against humanity even!

Well, since then, I’ve been pondering the whole thing on and off and I’ve come to the conclusion that such a feature may well be within the realm of possibility for the foreseeable future for a number of reasons.

Firstly, Uncle Scrooge is one of Disney’s most successful characters (he’s had his own comic since the 50s after all). I could probably still recall the many, many comics I read as a kid at the kitchen table as I ate my breakfast and supper. The original stories by Carl Barks and the more recent stuff by Don Rosa continue to attract fans the world over. So it is safe to say that the character is far from being hung out to dry.

Secondly, such a film would not be the first time that Disney has capitalized on the character or universe. The TV series DuckTales was, for the most part, the adaptation for animation of some of Barks original stories. The series was massively popular and gave rise to a sequel in the form of Darkwing Duck.

What set DuckTales apart from other shows was the cinematic quality of the animation. So much so, that when a theatrical film was released (The Treasure of the Lost Lamp) the difference in quality was imperceptible to my untrained (at the time) eyes.

That film, apparently didn’t fare too well at the box office, which was a shame but not entirely unexpected. If I had to suspect a reason it’s that not too many adults watched the show, and thus were not as familiar with it as they could have been. By comparison, SpongeBob Squarepants had a pretty large adult following (including both parents and trendy college students) by the time a theatrical film was released. This ensured that it had a significantly larger potential audience than if it were just kids and their parents.

So, why would now (i.e. within the next few years) be a good time for a new film?

Weeeeeell, anybody who watched the original show is probably in their mid to late-20s with the cut-off being 30 years old, for the most part. With that in mid, they’re probably starting to get married and having a few kids. As humans, we’re suckers for nostalgia, why else would they play classic rock and 80s synth-pop on the radio?

There’s a good chance that since all the original viewers have grown up and now have kids of their own, they will be hungry for some link to their youth. A DuckTales film would be perfect and with the recent rash of live-action/CGI movies, it would fit the glove quite nicely for such a production.

I write all this in a somewhat sarcastic manner as I believe such a movie would be most likely horrendous. Why on earth I dreamt it in the first place is beyond me and while I would like to see some new animation from the Duck universe, a live-action/CGI film is certainly not on my list of possible ideas.

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Better Late Than Never: Steve Jobs and Cars 2

Yes, I am pretty late with today’s post and I offer my humblest apologies.

I read on Lineboil today that Steve Jobs, erstwhile boss at Apple Computer, has instructed John Lasseter to get his hands dirty and stick his nose into the engine bay of Cars 2.

While none of this is confirmed as of yet, if it is true, it could delay the sequel to a film that has absolutely raked in the merchandising dough for Disney/Pixar over the years and clearly has done quite well thus far with various TV specials and psuedo spin-offs.

The important lesson to learn is that either the story guys aren’t firing on all cylinders, or the race marshall thinks they’re running on illegal tyres and won’t let them leave the pit lane. Either way the instruction from Jobs represents a significant event in the Pixar assembly line production of movies. Is it a bad thing? Maybe, maybe not. However, it is the type of top-down management style typical of Jobs but somewhat foreign in a creator-orientated company like Pixar.

Since we’re unlikely to find out the truth for a while yet, I’m not going to take it at full face value. However, I hope that it does not signal the start of a worrying trend at the most successful CGI studio to date.

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The Wall Street Journal on The War Between Disney and Nickelodeon Over Pre-Schoolers

Thanks to Cathal Gaffney for tweeting this interesting article from the Wall Street Journal. You might want to grab a cup of tea (or coffee) before you read it. I’ll wait.

Back? OK, good.

The point of the article is that Disney and Nickelodeon differ on how they think pre-school children should be programmed for. Nick believes firmly in educational programmes whereas Disney is soon to switch to more story-based shows. The article makes it out like the two are locked in an epic battle for eyeballs that have absolutely zero purchasing power. Although that is not telling the full story, is it?

Of course not. it’s made quite clear that parents are the real ones being courted. Yes, there are the Jesuit ideals at work (get them young and they’re customers for life) but the networks seem to be pandering to parent’s wants even more. As is pointed out, there has been a shift in what parents desire for their kids. A decade ago, they wanted them to be well educated, now they want them to be happy.

What I think is that as parents, they should be spending more time with their kids! Why? Well, the programming may have a lot of educational content, but as pointed out in the article, the top advertisers during said programmes are the fast food and toy companies. Now there is nothing wrong with that, per se, however knowing how much TV kids in the US seem to watch, it can’t be a good thing.

Something that I admit kind of floored me was that 40% of Nick Jr’s viewers watch between 8-11p.m. What the #$%^(*&? When I was that age, I was lucky to stay up past 8, let alone up to 11!

I am not trying to disparage the idea of educational, pre-school TV shows, I did after all, watch Sesame Street religiously for years until I went to school.However, I also watched plenty of Postman Pat and Thomas the Tank Engine too. The point is that I enjoyed a good mix of programming, it wasn’t skewed heavily in either direction.

On the other side of the fence are the networks, who will come up with the relevant facts to prove that their content is beneficial, such as this from the article.

“Jake and the Never Land Pirates,” a new series launching in February, follows a group of kids who get into adventures with Captain Hook. Even though Hook is a bad guy, Jake still invites him to play at the end of the episodes, an important social lesson, Disney says.

Yeah right. From my own recollection, kids on the playground will heed their peers when it comes to including and excluding other kids from play. I did it and I was on the receiving end of it too and all the time I don’t recall using what I saw on the TV as a guide as to my behaviour.

Well, I take that back. once I told another kid to “get lost” as in an Oscar the Grouch way and man, did I get hauled up to the teachers desk, from where I had to make a very, very public apology to the entire class. I learned my lesson after that experience!

What worries me most is that the whole point and benefits of pre-school programming will be lost in the scramble to win parent’s affections and dollars. Responsibility for a child’s upbringing should rest with the parents. Networks are in the unenviable position of having to balance the need for high-quality programming with the need for earnings from advertisers. So far they’ve done relatively well. Should a war break out, we all know who will suffer the most.

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Animation Renaissance

I’m a wee bit behind on various updates from my stable of animation blogs and websites so here is a belated link to a post by Michael Sporn featuring a magazine article written by the one and only Mr. John Canemaker discussing the state of the animation industry in 1980 (a.k.a. 30 years ago). The article serves as a good reminder that although the industry is always in a state of change, it is never permanently resigned to an unfortunate fate. It’s well worth a read.

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An Early Goal for 2011

I had a nice post written all about the healthy state of TV animtion worldwide and then the computer went and lost it. Seeing as I am now late for work, it will have to wait for another day. In the meantime, here is the beginnings of my latest project. I have to juggle girlfriend, work, school and the dog in between everything else going on in my life so it may take a while (read: the better part of a year) to see some resutls. Nonetheless, I’m excited.

 

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Thoughts on the Tintin Movie

Via: Cartoon Brew

By now we’ve all seen the stills on Empire and read the comments on Cartoon Brew. I myself would have posted a lot earlier but the old PC is acting up (my motherboard is suffering from capacitor fatigue) and it got to the point this morning that I was halfway done writing this post before it shut off by itself.

But enough of my computer woes and onto some animation ones. The upcoming Tintin feature will be made in motion-capture, that much is certain. Now I am no fan of the technology. If something is considered animated, that means there are no humans involved in the actual movement process. When I say this, I do not mean to include rotoscoping. That process still relies on a degree of talent to draw the character. Motion-capture removes the vast majority of that skill and relies instead on a designer and set-builder.

Much of the hubbub around the film concerns the look of the characters and how much they differ from the comics. It’s nearly impossible to pass judgement on a film based off two still pictures, so a more complete opinion will have to wait until we see some actual footage.

It’s sadly becoming harder and harder to convince people that traditional animation is often much more appropriate for certain projects. Tintin is a prime example. The Nelvana TV series was very much true to the comics and was all the better for it. This film is likely to see a much greater departure from the books fans the world over know and love (myself included).

The final aspect to consider is what the overall plan is for the film. There were 21 Tintin books in total and unless the producers expect to make a James Bond-esque series, there are going to be some tough choices to be made.

The release date is still some time away so I will not be worrying about it too much until then and neither should you.

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All I Learned About American Politics I Learned From The Simpsons

Apologies for the lack of a post yesterday, you can collectively blame that deadline at work.

Today is Election Day here in the States and as a result, just about everything you see, hear and touch today will be tinged with politics and as you can imagine, trying not to post something political is really hard without showing off your colours.

Being Irish, my colours are green, so that doesn’t really matter and besides, they’re not having an election over there today.

Instead, I am going to encourage you to watch the one episode of the Simpsons that pretty much taught me everything I knew about US elections until I actually arrived here: Sideshow Bob Roberts

Via: Wikipedia

Being of the “classic” era, there are tons of jokes, references, one-liners and a plot that manages to tie them all together. In it, we see Sideshow Bob at perhaps his most menacing. He doesn’t murder anyone, but he does actually succeed in his plan until thwarted by Bart & Lisa.

The episode is as much a satire on the political system itself as it is on the politicians themselves and in a move that garners some praise, it manages to keep the leanings pretty much within the boundaries that the show has traditionally stayed in.

If you must watch anything today, watch this. I’m, not going to link to it because of the [ahem] temporary nature of the links but you should know where to look.

And before you go, here is the defining, hilarious quote from the episode:

Hmm…I don’t agree with his Bart-killing policy, but I do approve of his Selma-killing policy.

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Happy Birthday to Mr. Ralph Bakshi!

Thanks to Jeaux for reminding me that today is the birthday of the one and only Ralph Bakshi. The influence of this one guy are still being felt today and his impression on younger animators is undeniable (thanks to Mr. John K.)

It’s fair to say that although he never had any excessive commercial success, the animation world would be a heck of alot poorer it wasn’t for him. Happy birthday Ralph!

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International Animation Day and Disney Princesses

In case you hadn’t noticed, today is International Animation Day and thanks to the TAG Blog, here is the official animation by Simon Streatfeild:

[youtube=http://www.youtube.com/watch?v=lnjgKQAvvLw]

On a different note, below is a picture I came across while checking my Tumblr dashboard yesterday afternoon,

Via: The Disney Princess

Some-one out there has created pictures centring solely on the negative aspects of each princess’ tale. If you read them, you’ll see that most are taken way out of context and none take into account the personality of each character.

The image above on the other hand, displays some very strong and encouraging traits (the exception being spoiled). Some of them (such as brave, artistic, defiant, independent, adventurous) are certainly traits that I would expect any female to have.

The important contrast between the opposing images is that one side heavily reinforces a point of view that completely removes the story and setting from the equation. The other focuses strictly on the personality trait that best describes the character.

I know I may be comparing apples to oranges (in fact, I probably am) but I would much rather consider the characters in the positive light. How about you?

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The Mythical Banned Episode

Via: The Golem Universe

During a quick perusal of my favourite bookmarks this morning before I began typing this, I read a remarkable post over on Fred Seibert’s Blog concerning a “banned” episode of the hit show Dexter’s Laboratory. Apparently even Fred didn’t know about it, so he called up the one and only Genndy Tartakovsky (someday maybe I too will have a famous person in my phonebook [sigh]).

As it turns out, it does exist and wasn’t broadcast because of the amount of (bleeped) swearing. Now what the swear words were, I do not know. I doubt they were the really serious kind although they probably weren’t suitable for a an audience of children.

Which leads us to the whole mystery of so-called banned episodes of shows. Why would an episode be “banned”? Why would the creators even be allowed to make the episode in the first place, if there is even a slight chance that it wouldn’t make it to air?

It’s hard to tell. Sometimes a script will appear OK but once it is finished, it might seem worse. A more likely culprit is that the people directly supervising the show are fine with it but once someone higher up sees it, they might use their superior executive powers to veto its broadcast.

Some people wonder how a company can afford to lock-up these episodes, especially considering that animation is not the cheapest form of production. The reality is that one episode does not a series make and the company will often take the hit because if the episode were broadcast, it could face untold fines from the FCC. Remember the whole Janet Jackson SuperBowl™ incident? Yeah, we all had a good laugh at that in Europe; the lawsuits are still ongoing over here. That pretty much speaks for itself.

The rumour-mill also seems to have this ability of elevate such episodes to near mythological status among fans. Titbits of information here and there is often interpolated to mean that it is the most awesome episode ever in a holy grail kind of way. Of course once these episodes eventually make their way onto the airways or internets, they are of no better quality than the ones that were broadcast.

The interesting thing is that when people call a show or episode “banned” today, they really mean that it simply wasn’t broadcast by the network. This is not the same as being banned. In the past (and especially for those poor folks in a non-free country) a banned piece of property or information meant that you were not supposed to have it under any circumstances and you were likely facing some jail time if you were caught.

Ditto for many old cartoons considered “banned” today. A few examples come to mind in the form of Coal Black and De Seben Swarfs, which is due for potential release next year, Song of the South, which is not really considered “banned” but is widely known to be a regrettable reminder of the past for the Walt Disney Co. Contemporary examples include the aforementioned Dexter episode as well as numerous South Parks and Family Guys.

Another aspect to consider is that all of these were withdrawn by their respective studios/parent corporations. None were deemed by the government to be offensive (although during the war years, the government did air concerns about the vulgarity of some of the shorts emanating from Hollywood and Termite Terrace).

In the grand scheme of things, “banned” episodes of TV shows are rareity, although they are far more prevalent in the US as a result of the diversity of the population and the relatively strict nature of broadcast regulations. Sometimes they really are worth trying to see, but it is good to remember that they are often over-rated and have often hidden away for good reason. Having said that, I kind of would like to see Dexter cursing now 🙂

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It’s (Almost) International Animation Day

Via: ASIFA

Yes, it’s ,today,  October 26th!

EDIT: I got confused this morning (easy to do at 6am), ASIFA-East is holding their event tonight, the day itself is on Thursday, October 28th.

So, what exactly is International Animation Day? Well, it’s organised by ASIFA and its aim is to celebrate the anniversary of the first public performance of Emile Reynaud’s Theatre Optique in Paris in 1892. The reason for such an occasion is as follows (from ASIFA’s website):

Such a celebration is an outstanding opportunity to put the animated film in the limelight and make this art more accessible to the public.

As part of the festivities, ASIFA-East is holding a screening of Prescott Wright films this evening at SVA in Manhattan starting at 7pm.

The purpose of the day is to help foster awareness of animation as much more than just cartoons but as an expressive artform comparable to its live-action counterpart. It’s sad to say, but there are many, many people who thin that animation stops at Mickey Mouse or Pixar. Little do they now what kind of wonders can lurk underneath the surface.

In addition to celebrating animation, the day also offers an opportunity for anyone to learn about animation and its techniques. ASIFA actively encourages organizations to help promote the artform and to teach about the more technical aspects of animation production.

So what are you waiting for? Sit back, relax and enjoy your favourite animated film today or go out there and teach someone all about it!

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