February 2012

Four Live-Action Actors Who Successfully Jumped Into To Voice-Acting

Today, I’m pleased to feature a guest post by Sarah Stockton. Sarah is an Outreach Coordinator for Voices.com, a site connects businesses with professional voice talents where she enjoys helping potential voice talent find their start in the voice industry.

It’s pretty common these days for movie and television stars to voice characters in animated films. Movie studios even make this part of their promotions, and for good reason. Many people are more likely to want to see a film if one of their favorite stars like Tom Hanks or Angelina Jolie is performing a voice in it. You may also hear celebrities performing voice-overs in television and radio commercials, which is usually side work they take on because, to be frank, it requires little work and they get paid well to do it.

But some actors have moved from regular acting into voice acting on a regular basis. Sometimes an actor whose career in front of the camera may be waning can still find good work as a voice actor. In some cases, though, actors just find they have a knack for voice acting, and they enjoy it. Here are four actors whose characters and voices you may recognize, who got their start in front of the camera.

Julie Kavner

You may know Julie Kavner as the voice of Marge Simpson on The Simpsons. But because that show is completing its 23rd season in 2012, you may not know that Kavner had a thriving acting career before The Simpsons ever aired. After a few bit parts on television shows in the mid ’70s, Kavner landed the role of Brenda Morgenstern, sister to title character Rhoda, one of three spinoffs of The Mary Tyler Moore Show (Phyllis and Lou Grant being the other two). Kavner played Brenda through the entire run of the series, after which she went on to appear as a guest star in a handful of other shows.

She also landed roles in two Woody Allen films, Hannah and Her Sisters, and Radio Days. In 1987, she joined the cast of the sketch comedy vehicle, The Tracey Ullman Show. That show included quirky short cartoons about a yellow-skinned, bug-eyed family, for which Kavner voiced the mother. When Ullman’s show was canceled, the cartoons were developed into The Simpsons. The rest is history.

Cree Summer

After starting her career as a voice actor, Cree Summer gained recognition as a traditional actor with a role in the highly successful and popular A Different World in the late ’80s. The show had success built in, being a spin-off of The Cosby Show, and starring Lisa Bonet. Even after Bonet left the show, after just the first season, A Different World continued for five more seasons, making many of the actors household names, including Summer.

After that show ended, she took on a few other acting roles in shows such as Living Single and The Fresh Prince of Bel Air. But then in 1994, she returned to voice acting, and hasn’t looked back since. Summer’s pliable voice has allowed her to win parts in dozens of cartoon series such as Tiny Toon Adventures, The Wild Thornberrys, Rugrats, and Batman Beyond. She remains an active and sought after voice actor.

Bill Fagerbakke

This isn’t a name that’s easy to forget, if you ever knew it in the first place. Before embarking on his voice acting career, Bill Fagerbakke took on roles in a couple of made-for-TV movies, a few TV shows, and had a small part in the Michael J. Fox hit movie The Secret of My Success. He hit the big time when he landed a regular role on the popular sitcom Coach, playing dumb but lovable Dauber Dybinski.

When the show finally went off the air after nine successful seasons, Fagerbakke began alternating between traditional acting roles on TV and in movies, and some cartoon voice-overs, including the role he’s become best known for, dumb but lovable Patrick Star on the hit show Spongebob Squarepants. Fagerbakke has now played Patrick for ten seasons, and the show is still going strong. He’s continued to take traditional acting roles here and there, but made a memorable return to television in 2005 as Marshall’s dad on the popular sitcom, How I Met Your Mother. Sadly, his character was killed off on that show, but you can still enjoy his acting talents as Spongebob’s sidekick.

Mark Hamill

Yes, that Mark Hamill. Before he was, is, and forever will be Luke Skywalker, Mark Hamill dipped his toe into voice acting with a couple of stints on Scooby Doo and Flintstones cartoons, all while taking on traditional acting roles. Then came the Star Wars explosion, but as popular as those movies were, Hamill’s acting career never quite took off the way Harrison Ford’s did. He continued to act steadily, both in traditional and animated voice roles. He even did a voice for a video game. Then another. Then a few more, until now when he is a much sought after video game voice actor.

But he didn’t stop there. Hamill has also created a niche for himself in superhero cartoons. He’s done voices in Spider-Man and Superman cartoons, but the one voice for which he’s best known in comic book circles is that of the Joker in the animated series Batman, Batman Beyond, Superman, Justice League, and a few other spinoffs and specials. In fact, he’s such a fantastic Joker he’s gone on to play the role in several Batman and other superhero video games, bringing both his voice acting pursuits together in one endeavor. If you’ve never heard Mark Hamill’s Joker, you’re not only missing out, but will be astounded that the guy who played hero Jedi Luke Skywalker can sound so convincingly maniacal.

These are just four of the many celebrities and traditional actors who have either abandoned their lives in front of the camera for lives in front of a microphone, or have successfully combined both to create lucrative and high profile careers. Next time you watch a cartoon with your kids—or without—listen closely to the voices. You may be surprised by whom you recognize.

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The 2012 NY International Children’s Film Festival is Coming!

It’s that time of the year yet again, when New York City hosts their International Children’s Film Festival, a fantastic event that brings a decent amount of otherwise obscure animation to the big screen on American shores.

This year’s lineup is quite impressive with the US premiere of A Monster In Paris and a sneak peek at Aardman’s latest, The Pirates!Besides that, there is the usual mix of live-action and animation from around the world, including an impressive shorts schedule. As an added bonus, they will also be screening the Beatle’s Yellow Submarine!

The festival runs from the 2nd to the 25th of March on the weekends, so you really don’t have many excuses for not making it to at least something.

Tickets, showtimes and locations, can all be found on their website.

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Seven Hilariously Bad Rave Flyers

I found the Bad Rave Flyers blog through a comment on Reddit, and although it would be something more suited to typography students, after just a few pages, I noticed it contained its fair share of animation-related stuff as well.

If you’re ever wanted to feast your eyes on some truly horrific crimes against graphic design and copyright infringement, look no further!

Back at the Barnyard

The Nightmare Before Christmas

The End of Evangelion

Unknown anime

The Care Bears

Ikki Tausen

Aladdin

 

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Character Sundays: Chuckie Finster

Chuckie Finster is the most instantly recognizable character from the original Rugrats. Wild, untamed red hair, glasses and a distinct, congested nasal voice single him out amongst the others. However it is much more than looks that sets Chuckie apart.

On a character level, he is also the most nervous, the most risk-averse and the most timid; traits that Angelica is only too eager to exploit throughout the series.

Chuckie is a complex character in the greatest sense. In other words, we don’t really know why he is the way he is, he just is. That’s what makes hims rather likeable, he comes across as quite a “real” character.

While the nature of the Rugrats’ adventures isn’t overly complex (it is a kid’s show afterall), Chuckie is almost always present to provide the necessary depth and voice of reason. Although this could easily be written off as the unnecessary inclusion of a timid character, the show does utilise the fact quite often; with many storylines involving Chuckie overcoming one of his many fears or succeeding despite his doubts.

 

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The Pearls Of Wisdom Hidden In A Going Bust Notice

Word has come through that anime distributor T3 has shut down. While their release stating as much is long and very thorough, it contains many important quotes that allude to the many, many difficulties and problems that one can face when running a business, especially one devoted to the troika of content, distribution and the internet.

Here’s a few choice quotes (with a summing up at the end) that are well worth pondering (any emphasis is mine):

Each day we struggle with clients that come to us with various films and television projects where we painstakingly spend hours uploading, encoding, and preparing clips in our submission to the various television networks only to learn later that our clients may have “borrowed” a Willie Nelson song and/or where even classical music and Top 40 tracks are used widely in promo reels without the required licensing in place.

Similarly we have additional daily challenges when we spend hours in pursuing the sale or licensing of a project that requires the same level of effort only to learn that there’s not any E&O insurance in place and/or when our clients forget or don’t take the time out to register their intellectual property and works with the Library of Congress.

Beyond licensing, copyrights and related issues, each day we deal with other headaches that include: HD vs. SD, 4:3 vs. 16:9, countless hours of FTP uploading (only to have it fail and start over again), a dizzying array of encoding protocols, resolutions, network quality guidelines, color correction, audio levels, streaming bitrates, and hours upon hours of editing clips, sending video emails, database updates, revisions of show treatments/show bibles

Perhaps more telling is the following:

If it sounds daunting it is, and all along we wanted to make clear that we would leverage existing technology where possible – and we have spent literally hundreds of hours in vetting out various Online Video Players (OVP) and pay-per-view streaming platforms.

Our daily challenges and that of our clients are further evident by the speed in which convergence in the marketplace is taking root – and we find that our clients have poorly prepared for straddling the gulf that is the “lean back” television marketplace with that of the “lean forward” online viewing offered in portals and websites where content must be prepped for tablets, i-Phones, and screens and operating systems of all types.

Today there is time-shifting, place-shifting and so many other elements in play that if you’re a television producer or filmmaker, you need to get your head around the fact that your audiences are everywhere and your content needs to be prepared, licensed and readied for viewing in just about any viewing environment.

Further, social media and promotional advertising is not enough as each project needs marketing, legal, and all sorts of help in getting your film and/or television project picked-up. Again, trying to do this given our limited resources has been a recipe for failure, and one of the reasons that there are so few companies like us that perform on a success-based commission structure.

So what is there to learn from this besides the fact that handling entertaining content is an infinitely tricky business?

For one, T3’s difficulties are likely fairly common throughout the industry, they are not alone in their headaches. Issues such as licensing and copyright are so important and are yet so often ignored/abused that you end up with a situation like this, where a company is spending more time trying to obey and adhere to the rules than they are actually making money.

Animators have to be aware of this, especially if in a small studio environment, but especially when creating your own, independent stuff. If a legitimate company like T3 couldn’t hack it, there isn’t much hope for you either.

T3’s closure notice is full of indications that the landscape for media (particularly video) consumption is rapidly changing and you’d better be prepared to change with it.

 

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The Fubiz Awards Has Some Fab Animation

By way of Debbie Staab, the French website Fubiz, which focuses on design matters, has decided to hold some awards this year. Surpurise surprise, there’s an animated category. There are 8 films in the running altogether and here’s a quick flavour of what’s on offer.

Don’t forget to check out the website to see the others.

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Why Disney + Threadless = Happy Fans

Via: Threadless

The other week, Cartoon Brew featured a post about a competition then being held over at online clothing site, Threadless. The gist of it is that people were asked to submit their design for a new Donald Duck T-shirt with the winners having their design made into an actual article of fashion.

This is a great idea, but there seems to have been little discussion about the significance of such a competition. Beyond simply crowdsourcing a design.

Professional designers may decry the blatant use of free labour in order to obtain a design but that is overlooking the many benefits there are to be gained by both sides.

First of all, it’s proof that Donald still has many, many fans, and that they’re willing to use their talents for his benefit. Through 12 pages of designs, there are a few bad apples, but the vast majority are something that I would love to wear (see the three examples, this post)

Secondly, the official sanction from Disney is good in that the winner is (or rather ought to be) guaranteed a fair deal for their work. OK, so it’s not like they were commissioned in the traditional way, but the winner should be adequately compensated for their work. While everyone else is out of luck, they at least have used an opportunity to stretch their skills and can still use their design in another place.

Via: ThreadlessHow many times do we see smaller (or even larger) studios encouraging and cajoling us into buying merchandise that they think we, as fans, want? Why not let use tell them what we want and let them sell it to us? (It’s a bit crazy I know, but right now that’s essentially what Hollywood does with its films).

Competitions like the Threadless one build good relationships between the studio and the fans by giving them a hand in the game and making them feel as if they are valued; a tactic that Adventure Time has done since it’s beginning to great success.

While care must naturally be taken, there is no reason why studios can’t interact more with their fans in this way, especially since the rise and ubiquitous use of the internet has broken down so many barriers to communication.

Fans have and will continue to be, the lifeblood of studios large and small, and the sooner we see closer collaboration between the two, the quicker both sides stand to benefit.

I'm sorry, but I find this one simply hilarious.

Via: Threadless

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