We’ve been clamouring for them for years, but now that we’ve finally got we wanted, it may actually be necessary to kill the strong female character off.
It’s no secret (or maybe it is) that I find much to celebrate in female characters, especially lead female protagonists who are also strong female characters. There is much to commend a show with a female lead, especially one that does not pander to traditional ‘girly’ notions.
Which is important to note because there is a certain belief that boys are not attracted to content with a female slant. Nothing could be further from the truth. There are no reasons why a boy can’t also watch the same shows as girls, there is just a very strong societal pressure when it comes to these kinds of things. Boys do ‘boys’ things and girls do ‘girls’ things. There is no or very little middle ground around the crucial ages.
What are the crucial ages you ask? They are the ages of 6-10, where children are most ripe for commercialisation. They are of course, subject to and receptive of more advertising than any other age group, and advertisers are in no mood to alter the status quo. That’s why you get girls toys and boys toys with unisex toys limited to board games and the like.
There are a few female protagonists out there that can serve as role models, the one above is one, below is another one.
What makes these characters strong? How about some of these traits:
Decisiveness
Independence
Resourcefulness
Leadership
Companionship (with boys too!)
Intelligence
Understanding
Vulnerability
Thoughtfulness
Do Jenny and Kim share a few of these? You bet! You’ll notice that I did not mention looks nor did I mention interests. As much an emphasis as our society places on looks, they are not the be all and the end all when it comes to characters. Look at Bessie Higgenbottom from the Mighty B (below). Being attractive ain’t her strong point but her character as a whole is.
What interests the character isn’t important either. Female characters can be quite capable of enjoying or not enjoying girly things. There is also the other extreme to consider where the character is a tomboy. Nothing wrong with that (it worked for Helga in Hey Arnold) although pulling off takes care. Sam from Danny Phantom is a good example, she hangs out with the boys but also enjoys her own, more girly things in private.
The point of this post, I suppose, is to challenge the notion that female characters and protagonists must conform to certain boundaries when portrayed on TV or in films. That is not to say we need to ban all girly shows, far from it, they have their place too. Just that we should be able to see more of a balance when it comes to content. Boys and girls do enjoy different things, but they also enjoy a lot of the same things too. Something for you, and the networks, to think about.
Voice acting isn’t Hank Azaria’s only talent. He’s also an actor and comedian who just happens to excel at creating great characters. One of those creations got him into a bit of difficulty when it emerged that someone else had created something very similar first. Cue a lawsuit to sort it all out that also reveals (at least in the legal sense) what defines a character.
Female characters often have a tough time with variety. While there is plenty of debate and discussion surrounding the prevalence of stereotypes that send poor messages to viewers, there is something else that is completely overlooked. Dave Pressler ponders the interesting question of why female characters are often forced too look feminine by executives.
It’s oft rumoured that boys have a certain amount of disdain for shows with female leads. The reasons are vague and revolve around concepts of masculinity and accepted social norms. However, such rumours are exactly that: rumours. As it turns out, boys do watch shows with a female lead, and they’re doing it in greater numbers than you would believe.
Perhaps the first lady of animated television, Wilma Flintstone has been putting up with Fred for more than half a century at this point. Together with Betty, they were the yin to Fred and Barney’s yang and kept them honest too!
So what makes Wilma great character? Is it her steely resolve? Her never-ending patience? Or the fact that she was perhaps the first real strong animated female character on TV?
OK, the gist of it is, I have class four nights a week from now until the middle of July. regular posts unfortunately take time to plan/write/edit/post and while it may seem easy to shoehorn it into a regular day, given my upcoming schedule, it won’t be possible to continue a daily posting regime.
So, instead of letting the blog gather dust on the off days, instead, we’re going to have some debate. Three times a week I’ll post a character and you (the reader) must describe exactly what it is that makes her commendable.
It doesn’t matter if you know exactly why, or whether you like them or not. Nobody is a mind reader and a comment is the one and only way to share your knowledge and opinion with the world.
When we think of animation, or indeed any form of entertainment, there is a propensity to think of it only in terms of how it already exists. What I mean is that animation, for a staggeringly long time, was considered as belonging in the kids’ realm (I’m afraid I can’t source the famous “we’re the babysitter” quote that I thought was attributed to Wollie Reitherman.) and it’s only very recently that we’ve started to see it slowly away from that perception. What I’m curious about though, is are there female demographics neglected by animation at the moment, and if so, why?
Who IS Covered
First though, it’s important to look at who is currently covered:
Boys aged 0-12
Girls aged 0-12
Boys aged 16-29
Now before you get out the pitchforks, bear in mind that I’m talking specifically about animation that is aimed at a particular demo. Yes, The Simpsons can be, and is enjoyed by everyone; the same goes for Pixar films, but if you were to collar someone from the responsible marketing department and ask them nicely (or maybe rough them up) they will tell you that either animation is marketed with one demographic in mind.
Which demographic that is will depend heavily not only on who is expected to watch the show, but also who is expected to support it. Examples are pre-school and pre-teen shows. Neither has an audience with any meaningful disposable income but both possess parents who do!
So even though the pre-school show will appeal to kids, you find that it is specifically tailored to what parents desire in their kid’s entertainment. In the case of pre-school that is partly the reason why almost all of them contain a heavy emphasis on education over pure entertainment.
Moving up the age scale, kids aged 6-12 do get more of an emphasis on entertainment because their ability to sell their parents on supporting merchandise is much stronger and by the time they make it to the top, they are practically mini consumers; a.k.a. tweens.
Boys and young males aged 16 and above are adequately catered for through the likes of [adult swim], anime (if they are so inclined) and whatever other kinds of animated entertainment they can dig up for themselves.
Who is NOT Covered
Where things tend to fall apart is once the teenage years kick in. Based on what is currently out there, there is a glut for both genders around the 13-15 mark. That’s pretty natural though as kids get caught between a rock and a hard place in regards to content; too old for the younger stuff, too young for the older stuff. I don’t foresee this gap being narrowed substantially any time soon.
What is noticeable though is that while boys have options once they hit their mid-late teens, girls do not. In other words, boys are brought back into the animation fold through the likes of [adult swim] and anime (plenty of guns, violence and giant robots), girls don’t have anything (or very little) comparable to that at all.
Seriously. Close your eyes and think of a current, animated TV program (or animated film) that’s aimed specifically at mid-late teenage girls or those in their early 20s. I can easily name a dozen live-action shows but nothing animated even comes close to mind.
Again, this is not to say that girls in that age range can’t enjoy animated programming or films; a heck of a lot of them do, but a glance around the TV schedules and cinema listings reveals a glaring gap in animated programming tailored to them.
Oh, and as for Brave, well again, you’ll have to corner our marketing friend, but I would be greatly shocked if that was being tailored for anyone over the age of 13.
So could it be that girls are ‘dropping out’ of the animation scene in their teenage years because there is nothing to pick them up at the other side of the lull around 13-15? The signs currently point to yes, and there are many, many reasons behind it.
Standard arguments that get trotted out for this kind of thing is that there is no market for it, that girls genuinely have no interest in animated programming once they near adulthood and (most egregiously) that they simply enjoy the same content as guys. All are false. Audiences can only watch what they are given, so saying they don’t want to watch something that doesn’t exist is a load of hogwash.
What About Daria?
Ah yes, what about Daria. The MTV animated show could be said to aim precisely at the very audiences discussed in this post. It had a female lead(s) and tended to adhere to the social and moral quandaries that many teenagers face. The show also achieved all this while bridging the gender divide and appealing to all teenagers.
However, the show has long since departed from the airwaves and nary a replacement has been seen since. As of 2013, it regretfully resides in the nostalgia zone, where only those who originally watched it will seek it out in any meaningful numbers.
What Can Be Done
It’s a topic that’s been covered here on the blog before, but the bottom line is that there simply is not enough animated content being made for girls at all ages, prepubescent or otherwise. Even the comics industry has seen an increase in this kind of content with plenty of female comic artists and writers getting works out that is more likely to appeal to that kind of audience.
Animation retains a kind of stigma when it comes to this, and my guess is that no-one of the powers that be are willing to make the right move to get the shows that are needed, made and broadcast.
The simple answer is to make the content and make it well.