A selection of the best animation articles including news, opinions, and features from around the world for the week beginning the 31st of May, 2020. Featuring a Zoolander animated series, The Simpsons’ aspect ratio error, how a film gets stuck in development hell (and how it escapes), how similar Beastars is to Zootopia, and more!Continue reading “Animation Articles: 31 May, 2020”
A selection of the best animation news, opinions, and features from around the world for the week ending January 11th, 2020.Continue reading “Animation Articles 03-2020”
Everlasting cultural ubiquity stands as the holy grail of any creative endeavour. This tantalising achievement so often seemingly within reach is more often than not beaten down by the bulwark of a society whose tastes change and whose fickleness is monstrously incurable. The Simpsons though continues to find new paths to cultural relevance; the latest of which is through internet memes.
If the thirteen episodes mentioned in the title seems a bit short, just imagine how the Simpsons would be viewed today if the original order was all that was made. Would it still be viewed as a classic, or be relegated to a footnote of television history? Regardless of what would have happened 25 years ago, the future is pointing inexorably towards series runs of a predetermined length and story structure.
Great TV is everywhere nowadays, at least that what everyone is telling me. Creators are pushing boundaries, genres are being stretched, and cultural barriers are falling. If only it were all true! Great TV is like Punk Rock in more ways than one, and what is on our screens nowadays isn’t inspiring me to get a leather jacket, or a mohawk.
Bojack Horesman is Netflix’s attempt to break into the lucrative world of animation that caters to that holy grail known as the male, 18-35 demographic. The innovation of course, is that this is from Netflix, the pretender to the HBO crown of critically acclaimed programming. For all the success of House of Cards and Orange is the New Black, Bojack fails to hit the same mark and provides the latest scrap of evidence that making animation for anyone older than 16 is a conundrum the continues to bedevil anyone willing to take a crack at it. Why is that the case though?
The Simpsons continues to have a massive presence in almost all areas of pop culture despite being 25 years old and having to work a little harder than in the past. One of the latest efforts involves London soccer club Chelsea and is a real head-scratcher.
This post was, in fact, written on Thursday the result of a full day of travelling today. The week link list is no shorter however as this week has already produced a decent variety of interesting articles on the topic of animation. Enjoy!
It’s hard to believe, but we’re almost at the end of an entire year of week links posts! Clearly I read an awful lot more than I thought I did. Anyway, here’s this week’s selection:
A wild podcast episode unexpectedly appears!
In this episode:
00:00 – CTN Expo Recap (Simpsons Music 500 Music Ville link)
08:30 – Three Interesting Documents
You’re already familiar with what I’m talking about. You know, the generic animation merchandise offered by just about every independent creator and small studio out there. The T-shirts, hoodies, mousepads (do people even buy those any more?), mugs, etc. etc. with a logo/character/catchphrase emblazoned across the front in glorious, exalted fashion. They’re a dime a dozen, and are worth about just as much. So why do so many creators continue to flog them ? How can they move ahead to things that will sell better?