Michael Milken made a fortune with junk bonds back in the 1980s. His theory was so simple, it was almost too good to be true except that it wasn’t. Basically, a junk bond is one that carries a high risk of default, i.e. the borrower doesn’t pay you back. Milken however, perceived that if you buy enough junk bonds, the ones that do pay you back will more than cover the losses from those that don’t. His plan worked far beyond his expectations and he quickly became the so-called ‘Junk Bond King’ before being brought down for some insider trading.
While there are a few cartoons could be said to have re-ingnited my passion for animation, one had a bit more of a profound effect than others. And while My Life as a Teenage Robot may have lacked the smarmy humour of SpongeBob Squarepants, it is nonetheless a great show. I mean, who doesn’t like seeing a robot girl kick ass within a universe where Art Deco is the prominent architectural style?
The series lasted just about three seasons on Nickelodeon before the network decided that it would not be ordering additional episodes. Officially the reason given was the low ratings however I would argue quite strenuously that having the show’s timeslot bounced all over the schedule couldn’t have helped matters either.
As is (almost) inevitable when a show gets canned, the fans (not I) reacted in the manner that is most common for TV shows; they created a petition:
Petition to Save “My Life as a Teeanage Robot” from Cancellation. Note: My American-English is not good because I’m Italian…
“My Life as a Teenage Robot” is one of the most underrated Tvshows on Nickeloden. This TvShow is about a robot, Xj9 (a.k.a. Jenny), who wants to be a normal Teenage girl, hang out with friends etc. Brad Carbunkle is Jenny’s best friend. He’s your average high-school student; Brad’s younger brother, Tuck Carbunkle is often scared by robots, but he likes Jenny as a friend. Jenny’s “mother”, Nora Wakeman, is one of the best characters in the show: plus, she’s voiced by Candi Milo, she’s great.
Since Jenny was built to protect the Planet Earth, there’s an evil-alien empire, the Cluster, who wants to take over our world. The Cluster Queen, Vexus, is Jenny’s arch enemy.
“My Life as a Teenage Robot” won a few Annie-Awards too.
OK. I’m just saying this, WE MUST SAVE “MY LIFE AS A TEENAGE ROBOT”. It may be not the best show on the planet, but it has a lot of fans who are really upset for the cancellation. We want a 4th Season. Alternatively, since the 3rd Season will be (maybe) the “Final Season”, I think we all need a “Series Finale” (Jenny & Brad ending up together, for example…).
If you are a fan of the show, sign this petition. If you don’t like Jenny and you don’t care about her, please sign this petition equally, because we need your help too. Alternatively, you can try to help the show with other petitions or sending E-mails to Nickelodeon.
Note: There are other awesome Nick-Toons who are going to be cancelled: “Danny Phantom” and “The Fairly OddParents”. Nick will just never learn.
Now in fairness to the guy (or girl) English isn’t their first language so let’s cut them some slack for that. However, this petition still makes all the rudimentary errors that most fans make when crafting petitions so we’ll judge it on those.
Firstly, it completely and totally neglects to speak directly to the network. It reads as more of a plea than an attempt to persuade the network to change its mind. Anyone can call a show “underrated” but in the network’s mind, if it has hopes and dreams for viewership numbers and the show doesn’t make them, the show is considered “underperforming” and might be costing the company money as a result.
Secondly, giving a description of the show’s characters is superfluous at best. The network knows which show you are talking about and the only time such descriptions would ever be called for is when the letter discusses a show on another network.
Only in the third paragraph do we see the first hints that the show is worth saving in that it won a few Annie awards. A prestigious accolade in their own right, but the letter fails to tie those awards to anything meaningful. such as say, having an Annie-award winning show in your portfolio will draw more astute/affluent animation fans to your network thus increasing revenues on it and other shows alike.
Then there’s this line:
OK. I’m just saying this….
Well of course you are, that’s the whole purpose of the letter! It also alludes to the belief that the network doesn’t know what the letter is about, when in fact, if it were an actual letter, would probably be in the bin by now.
It may be not the best show on the planet, but it has a lot of fans who are really upset for the cancellation.
While this statement may be true, it does nothing to further the cause. Upset fans of a cancelled show mean nothing to a network unless they can prove conclusively that their upsetness will affect the networks other properties. For example, if, when the show was cancelled, the fans also stopped watching other Nickelodeon shows and buying related merchandise, then the network would have a concrete reason to bring the show back. Saying your merely ‘upset’ will have no bearing on the network’s quarterly results and thus will be deemed irrelevant to the discussion.
However then we get to this line:
We want a 4th Season.
A flat-out demand! Well heck, I want a million dollars but it sadly isn’t going to happen any time soon. This line also comes off as being brash and unsympathetic to the networks position; something that you should be trying to achieve as much as possible.
The second to last paragraph pleads for anyone and everyone to sign the petition whether they like the show or not. Now this is problematic for a number of reasons, but chief among them is that it seriously blurs the lines between who really wants the show back and who’s just singing it for shits and giggles. Secondly, such practices make it extremely difficult to trust the numbers. For a show with as devoted a fanbase as MLaaTR, it’s likely that they aren’t too far off the truth. However, the fact remains that if there is any uncertainty in the data, more often than not they are presumed to be faulty and will be excluded from any formal analysis.
The last paragraph is more of a side note that states that other shows on Nickolodeon are being cancelled as well but it is the last line that’s the killer:
Nick will just never learn.
That one line single-handedly destroys the entire argument for the letter because it states that the network is doomed to repeating its ‘mistakes’. Why is this a problem? Well the whole purpose of a petition letter for a soon-to-be-cancelled show is to enlighten and persuade the network to change it’s ways in the hope that it will be more careful about cancelling shows in the future.
Bluntly stating that it “will just never learn” implies that the network is too stupid, dumb or ignorant to listen to advice. Which begs the question of why then, should it listen to this petition? If you already think I’m dumb, do you really think I’m going to value your opinion and judgement on matters? Of course not, you called me dumb!
Overall this is a pretty typical fan response to a hard business decision that plays on emotions rather than corporate common sense. A truly efficient letter would see the signatories sympathise with the networks need for viewers in order to keep ad revenue up and would emphasise the many ancillary benefits that the show brings to the network in terms of viewers for additional programs, merchandise sales, etc. Such a letter would do much to encourage the network to retain the show based on its actual merits, not the perceived ones.
This letter, for what it’s worth, isn’t all that bad, I mean, it did garner a few thousand signatures, many with individual responses to the show and how much it was loved. However, when it comes to influencing some executive in some far corner of Viacom’s vast headquarters in New York, it has zero potential and that’s why it’s not going to bring My Life as a Teenage Robot back from the dead.