Ireland

Irish Week: Do All Dogs Go To Heaven?

It’s that time of the year again, when everyone pretends to be Irish and the real Irish milk it from the American tourists for all it’s worth. St. Patrick’s Day is on Thursday so until then, this post is part of a series on Ireland and Irish-related animation. You can browse the full series here.

Via: Wikipedia

I’m afraid my time has been squeezed for today’s post so instead, I am suggesting you all go out and watch All Dogs Go To Heaven, a film that was (for the most part) produced in Dublin. My memory of it is fairly hazy but feel free to comment below if you have any thoughts on the film. Hopefully we can get a nice wee discussion going. 🙂

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Irish Week: How The Tenacity of Irish Studios Is Doing Them Wonders

It’s that time of the year again, when everyone pretends to be Irish and the real Irish milk it from the American tourists for all it’s worth. St. Patrick’s Day is on Thursday so until then, this post is part of a series on Ireland and Irish-related animation. You can browse the full series here.

For a long time, there were not studios in Ireland, production studios I mean. Then one day, Don Bluth and Morris Sullivan decided to set up shop in Dublin, but more on that later this week.

Since that first, initial explosion of animation in Ireland, there has been an almost continuous expansion of the industry and although the original Sullivan-Bluth Studios are defunct, the educational course that studio started is still very much alive.

The advancement of the industry over the years is nothing sort of amazing when you think about it. Here was a country with no real prior animation experience getting thrown head-first into the topsy-turvy world of cartoons. Since then, numerous studios have popped up as Irish-trained animators began to venture out into the industry on their own, and despite the harsh business environment, have succeeded!

In terms of gaining business, Irish outfits have very much followed the lead set by the various Japanese and Korean companies in years past. That it, to become an offshore production studio for major studios and gradually use that experience to create you own content. It is a well-worn yet tried and tested method that has indeed helped Irish studios gain familiarity and knowledge of the world-wide industry and of course allow them to attain a reputation and personal relationships along the way. Of course the old irish charm helps a lot too. 😉

The success of the likes of The Secret of Kells is proof that Irish culture and stories can have an international appeal and since that films success, other Irish studios have slowly but surely been heading in that direction hoping to emulate the unparalleled success of Kells.

Animation Ireland has a comprehensive list of Irish studios and what they do and it’s a list well worth checking out. There were even a few I didn’t know about!

The sometimes cutthroat nature of working in animation can be notoriously difficult to achieve success in and I think that all the hard work that people have put into making Ireland a hub for animation has certainly been worth the effort. It’s been proven that it can be done and I firmly believe that right now, we are on the cusp of a protracted age of Irish animation success.

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Irish Week: Why Everyone Ought to Read An tEachtaire

It’s that time of the year again, when everyone pretends to be Irish and the real Irish milk it from the American tourists for all it’s worth. St. Patrick’s Day is on Thursday so until then, this post is part of a series on Ireland and Irish-related animation. You can browse the full series here.

Via: Leabhar.com

For those of you who aren’t Irish, the title of this comic won’t mean a thing. For those who are and who had Irish hammered into passionately taught to them, they know that a tEachtaire means messenger in Irish.

So who would happen to be the messenger in an Irish comic? Why St. Patrick himself of course!

The comic in question is written by Colmán Ó Raghallaigh and illustrated by…….Tomm Moore! It centres around the life of St. Patrick as he is kidnapped from Wales as a young lad and forced to mind sheep on a mountain. After he flees, he has a series of dreams where the Irish call him back to teach them the Gospel. Patrick does so and spends the rest of his life converting the heathens pagans into Christians.

That particular version of the story is a bit boring for a comic, so Ó Raghallaigh has spiced it up a wee bit with a focus on the drama and some marvelous illustrations by Moore. There are plenty of displays of agony, torment, confrontations and Celtic imagery, as can be seen below.

It’s not overly long, although as you get into the story, length become rather irrelevant as your mind begins to wander as the illustrations come to life inside your head. Both authors have managed to create a very cohesive comic that simply could not be anything but Irish in origin.

I found my Irish had become rather rusty after a few years away from home although there is an English translation available so you’re not left completely in the dark.

I must say it was a very pleasant surprise to find this under the Christmas tree (kudos to my girlfriend for knowing me better than I know myself) and I found it re-awakened an awareness that Ireland has a rich and varied history that is more than capable of being translated for modern audiences.

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Weekly Weblink: Eclectic Micks

Admittedly, when I first heard of Eclectic Micks, the first vision that popped into my head was a pub band along the lines of Mungo Jerry. I guess I was a bit off because it’s something much better, a colection of awesome, Irish artists!

I must have been visiting the wrong circles because the blog has been around since 2009 with the basic concept that there is one topic per week with each member posting their work on the designated day. Naturally as one would expect, the level of quality is extremely high and with such a group of talented folks, that is not surprising in the slightest.

Last week’s topic was The Secret of Kells (so you can see how I discovered the site) and as you can see below from this one sample, you are guaranteed not to be disappointed if you follow them.

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The Very First Piece of Animation I Watched

In Ireland (way back in the day), the children’s programme was Bosco, which was basically a show featuring a puppet who lived in a box. The show was filled with various segments (some of which were animated but more on that another time) and is recalled with fondness by almost any Irish person under the age of 30.

I bring it up because I wanted to share the opening titles. Incredibly simple and bordering on the bizarre, they are most likely the very first piece of animation that I came into contact with as a child. Have a look below and see if you don’t come away just that wee bit confused. At 25, I still can’t figure out what it’s all supposed to mean.

[youtube=http://www.youtube.com/watch?v=RWpRD_il9s8]

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Why I’m Currently Thinking About Fievel Mousekewitz

Via: Squidoo

It’s been a rough time to be an Irishman this past week. First we didn’t need the bailout then we might need a bailout and now we’re taking the bailout, which comes with an added dose of patriotic-busting shame in that most of it happens to come from the British. The French may have swallowed their national pride and took the Marshall Aid when it was given to them, although in fairness, they kind of really needed it.

So all this talk about the country being in the toilet has got me thinking about the last time it was in the toilet, which are more affectionately called the dark ages, a period of time known to the rest of the world as the 1980s. I should point out though, that the topic of today’s post happens to have been made in the 90s, although we were poor then too!

Today’s film is notable for being one of the first I remember seeing at the cinema. Beauty and the Beast was perhaps the first, which i saw right after they’d finished refurbishing the local picture house. All the same, Fievel Goes West has a place in my heart as the first film I can remember actually seeing. Sure I watched Beauty & the Beast, but I couldn’t for the life of me tell you how I felt about it at the time.

I should point out that Fievel Goes West was not associated with Don Bluth, although there is an Irish connection in that he did set up an animation studio in Ireland in the late 80s, the short-lived Sullivan-Bluth studio. Arguably Bluth’s greatest contribution to Ireland was the founding of an animation course at Ballyfermot College, which paved the way for home-grown studios to emerge, creating the likes of The Secret of Kells and Granny O’Grimm.

Getting back to the point, the film is somewhat sadly forgotten at this point, standing in the shadow of the original American Tale film that is lauded as one of Don Bluth’s best after he left Disney. I haven’t watched it in literally years, but I can still recall some of my favourite parts, the funny jokes, Tiger the cat and of course, Cat R. Waul, played to perfection by Mr. John Cleese.

I suppose that kind of brings up another aspect of youth, looking back and realising that for years you either listened to, or watched all these famous and talented people without having a clue who they were. I will freely admit that i watched Thomas the Tank Engine all through my early years and knowing that they were narrated by some bloke called Ringo Starr who seemed to be pretty good at it.

Did Fievel Goes West deserve to succeeed? I think it did, and it probably would have if it hadn’t have been caught up in the maelstrom of succes that Disney had only just begun to create with Beauty and the Beast. It’s an entertaining film on a number of levels, perhaps slightly more juvenile than we’ve come to expect thanks to Pixar, but it deserves at least one viewing. As far as I know, it is on Netflix, so now you’ve no excuses!

In the meantime, prayers for the repose of the soul of the country formerly known as Ireland are being csaid, most likely at a Catholic church near you.

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