Halfway through the year already??? Well, have some more week links, and don’t forget to check out the archives for more that you may have missed.
Amazon moves ahead with three kids original series
Coming via the Kidscreen iKids blog but surely trumpeted elsewhere too is the news that Amazon is moving ahead with it’s original series as chosen by viewers. Of interest to us are the three animated properties as the post details as well as when we can expect to see the first episodes; later this year is all we know for now.
Lost in Translation
Fred Patten over on Cartoon Research has a very thorough and insightful post about translation and the comedy of errors that can result. That’s something that continually seems to haunt animation. Live-action has less of an issue because, quite simply, less of it travels across borders thanks to its lower cost. Animation, being as expensive as it is, seems to require international sales in order to succeed and that means a lot of translation. Latin-based languages aren’t too difficult, but once you cross the Pacific, things get tricky; a fact that Fred’s post does much to enlighten us about.
Happy feet no longer tapping as animation studio sells upHappy feet no longer tapping as animation studio sells up
Animation is tough business, and the latest casualty is the Australian studio that produced Happy Feet 2:
Unfortunately, the only story Dr D managed to share was Happy Feet Two. The continual slate of production that had been anticipated failed to materialise, and the 650 or so staff who had been hired (mostly on contract) at the peak of production dwindled in the months after to about 50. In more recent times, it is believed fewer than half a dozen people were employed by the company.
Europa – Main Characters
In a rare self-referential link, Michael Sporn read my post on Animation Scoop questioning the race for the easy dollar among major animation studios and posted his own, well-measured thoughts. The topic is of concern to me primarily because the gold rush that animation currently is has lead to a lot of formulaic films that I fear will result in audience burnout and an industry downturn.
Tweets of the Week
Gotta love that sly Looney Tune humour.