We’ve been clamouring for them for years, but now that we’ve finally got we wanted, it may actually be necessary to kill the strong female character off.
Disney’s Frozen has generated a lot of debate but specifically on the topic of whether it is a feminist film or not, the answer is a bit more elusive. On the one side, are people who claim that it is thanks to dual female protagonists, a positive message, and a muted romantic theme compared to other Disney films. On the other side, there are claims that the film is merely masquerading as a feminist film and in reality continues to undermine the feminist ideal through subtle and not-so-subtle marketing. Which side is correct? You can make up your own mind with these sixteen articles published in recent months that discuss the film.
A wild podcast episode unexpectedly appears!
In this episode:
00:00 – CTN Expo Recap (Simpsons Music 500 Music Ville link)
08:30 – Three Interesting Documents
Frozen has been released to near-universal critical acclaim praising it as a long-awaited return to greatness for the Burbank studio of the Disney Company. Some reviews and analyses have touched on the film’s greater themes of feminism in light of the twin female protagonists and a dearth of traditional, patriarchal themes. While that may be true, there are other aspects that potentially undermine the Frozen feminist claim.