Finally! After only more than a year did I finally get the chance to watch this film. Long did it tease me with its development, release in Europe and sneak peeks in Canada. There’s even been a guest review featured on this blog! Today though, I can finally post my own thoughts having seen the film thanks to the good people at Shout! Factory. So without further adieu, here’s the A Monster in Paris review from the Animation Anomaly.
The quality of the animation seriously belies the film’s modest budget ($28 million). Given that we are used to being blinded by the dazzling efforts of both Disney and Pixar, one would expect that a film made for much (much) less would suffer from the smaller budget but thankfully that is no true. Early 20th century Paris is rendered as beautifully as any Pixar film and the love that has gone into making it look as good as it does ensures that stylistically, it is superior to much of what the large American studios put out.
Think about it. Pixar threw around $350 million at Toy Story 3 but did they honestly need to spend that much for a film that essentially takes place in the real world? If A Monster in Paris can replicate the glory of a past city so beautifully, why are Pixar and Dreamworks apparently so shackled visually?
The character animation is a bit jerky, but given the film’s comedic undertones, it is certainly understandable. Wackiness isn’t as outlandish as you might expect but it’s all in the classic Looney Tunes vibe of only noticeable when necessary.
A Monster in Paris tells a fairly simple story; a giant flea escapes a laboratory and supposedly terrorises Paris until a singer discovers his hidden talent. While that does not sound like much, A Monster in Paris manages to weave it into the characters so much so that thei involvement seems quite natural.
There are jokes aplenty and although it’s nice to hear lots of jokes, it’s fun to see them too. Thankfully A Monster in Paris has plenty of both.
A Monster in Paris brims with many of the characters that you would expect the Paris of old to have. Our heroes, Emile and Raoul are truly the odd couple, differing, bickering and making up again. Their chemistry is balances by the cast of characters who they interact with. While Emile tries to woo Maude, Raoul has nothing but disdain for our heroine Lucille. These two relationships are played against the larger problem of a giant singing flea complicating their lives thanks to being wanted by the police.
Overall, A Monster in Paris is an enjoyable film. It’s distinct European flavour give the impression that it skips to a different beat than many American films and that would be correct. It eschews the pretensions of contemporary Hollywood films in favour of pure entertainment of the kind not seen much any more.
While the voice-acting (at least for the English dub) is a bit over the top, it is more than balanced by the music and original songs (written by Julian Lennon). The DVD is also a bit bare but given that the film never received the theatrical release it deserved in the States, it’s understandable that the home video release can’t be too lavish.
Delighting in its beauty, A Monster in Paris is highly recommended.