If we’re being honest, even I wouldn’t have believed that headline if it was written even six months ago. Clearly being only vaguely aware of who Hatsune Miku is wasn’t enough and it took a proper introduction before I ‘got’ her. Of course there’s a lot of appeal to the character of Miku herself, and that forms the basis for many young fans’ devotion. That’s not what makes her appealing to me though; it’s the concept and execution of the character’s role, and what she represents from a business standpoint. To put it simply: she’s the future.
Cartoon Network was the original home for the vast library of Hanna-Barbera and MGM cartoons that Ted Turner had at his disposal. It soon outgrew that purpose as original content began to be broadcast on the channel and eventually banishing them altogether to a new network: Boomerang. To say they languished there is an understatement, but Turner’s attempt to make amends comes too little, too late.
Live-action has a virtual monopoly on lots of the entertainment industry. Animation is slowly making inroads, but one area that has been staunchly resistant to change has been television dramas. Comedy series are a dime a dozen and prove that animation can be popular with adults as well as kids on the small screen, but drama is whole different kettle of fish. Thankfully, some proof has recently come to light that suggests that dramatic animation isn’t as much of a pipe dream as we believe.