Independent Animated Features: 10 Questions That Need Answering
Yesterday, I was treated to a screening of an independent animated feature film called The Stressful Adventures of Boxhead and Roundhead. Written, directed and animated almost single-handedly by Australian Elliot Cowan, it’s a film that I’m still mulling over in my head the next day; a good sign if ever there was one. I’m not going to comment on the film itself just jet, however, the entire project has prompted some questions of my own on independent animated films in general and especially those done by one man bands or very small studios.
- If Elliot can make a feature, why do so many others either fail or never try?
- Is perseverance the key to finishing an animated feature?
- What’s the general gameplan for what happens after the film is made if there even is one?
- What’s the ‘secret sauce’ to making related merchandise that sells?
- Why is financing so ridiculously complicated, and costly for even small budget films?
- Have characters in general become too complex in animated features?
- Should independent films even worry about targeting an audience?
- Are traditional promotional/marketing channels already dead or merely dying?
- Why are international sales such a formidable barrier in the age of the internet?
- Are 35mm prints dead for technological or cost reasons?
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