Great TV is everywhere nowadays, at least that what everyone is telling me. Creators are pushing boundaries, genres are being stretched, and cultural barriers are falling. If only it were all true! Great TV is like Punk Rock in more ways than one, and what is on our screens nowadays isn’t inspiring me to get a leather jacket, or a mohawk.
This month I chat with Jeff Cooper and Grahaeme Cowie of Smoking Doors Productions about their animated webseries Impotents and the Kickstarter campaign their currently running to get it made. Besides spilling the beans on the series itself and what we can expect, we discuss why they chose Kickstarter and how much planning and effort goes into running a campaign. If you’ve ever been curious about it, you’ll want to have a listen.
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Art is always held in high cultural esteem, yet only the best and most widely acclaimed retain any kind of longevity. The rest is quite literally disposable as any dumpster behind a library will happily attest to. Animation is no different than any other art, and just like them, the internet has brought about an even greater degree of disposable animation and produced a real struggle to create cartoons with any sense of quality, and timelessness.
As I prepare to produce a series of very short, er, shorts, I find my viewpoint of animation as an art and industry being forcibly changed. Not necessarily in a bad way mind you, but rather that it’s breadth and scope have changed as the reality of production becomes my greater focus. Here’s a few thoughts in no particular order.
The production of animated TV programs has never been greater. All three kids channels have full slates, numerous cable networks have their own shows, and FOX continues its long tradition of animated programming on Sunday nights. It’s a good time to be an optimist, yet it’s never been more important to be pessimistic about this sector of the business, because it’s about to go barrelling over a cliff.
A good while ago, we wrote about how Cartoon Network was letting down its own fans by restricting the online streaming on their site to cable/satellite subscribers only….
Stuart Heritage recently wrote an opinion piece in The Guardian on the topic of a Danger Mouse reboot for the 21st century. Although slightly tongue in-cheek, Heritage manages to nail…
Are Indian animations studios a real threat to American and European ones? Will Indian animators take away their jobs? Will Indian features fill Western cinemas? This post takes a look at whether all the rumours are really true.
Soundtracks for animated feature films have been hot property ever since Snow White and the Seven Dwarfs. However, soundtracks and scores for TV shows and web series are still neglected. Here’s why that makes no sense.