Fans and fandoms are recurring themes here on the blog, and for good reason. They form an essential, and ever more critical part of a successful cartoon or animated feature. They are marketers, advocates, customers, and above all, appreciative individuals. However, fans have long been held at length by studios, and for good reason as the latest Steven Universe drama unfolds.
The third feature-length film centered on the Equestria Girls spin-off from My Little Pony is about to be released on home video and, well, I have conflicted feelings about it.
Time for my favourite post of the year: the one where I decipher which comics I discovered at the Small Press Expo (SPX) that are worthy of getting animated adaptation 🙂
How can animation be even remotely similar to opening a restaurant? One is extremely risky, is enormously susceptible to changing tastes, is faced with intense competition and….well, I suppose they’re not so different after all, are they? So if you’re producing animated content, what lessons can you learn from a restaurant and can you use them to drive success?
A good while ago, we wrote about how Cartoon Network was letting down its own fans by restricting the online streaming on their site to cable/satellite subscribers only….
Stuart Heritage recently wrote an opinion piece in The Guardian on the topic of a Danger Mouse reboot for the 21st century. Although slightly tongue in-cheek, Heritage manages to nail…
Are Indian animations studios a real threat to American and European ones? Will Indian animators take away their jobs? Will Indian features fill Western cinemas? This post takes a look at whether all the rumours are really true.
Soundtracks for animated feature films have been hot property ever since Snow White and the Seven Dwarfs. However, soundtracks and scores for TV shows and web series are still neglected. Here’s why that makes no sense.