Seems like ages ago that everyone was gushing over Pixar’s latest hit, doesn’t it?
Now Minions is the movie on everyone’s lips. The hit of the land! A tremendous opening weekend! Almost $400,000,000 grossed worldwide!!! Illumination/Universal does it yet again! Can nothing stop them???
Wait, what’s that you say?
They’re working on a Wreck-It-Ralph sequel!?*
Well if they don’t call it Super Wreck-It-Ralph someone should be fired.†
† As quipped by Redditor /u/lpjunior999
Frozen contributed to my disillusionment with animation last year.
Inside Out is the catalyst this time around.
The cranial dynamo ran out of steam, and it’s no easy task to get it spinning again.
Ideally you shouldn’t have to start rebuilding a passion from scratch, and yet here we are.
With that in mind, the focus now is on creating something new, and in order to do that, you can’t focus on the old.
This week saw the announcement of not one, but three reboots to popular old shows. The Powerpuff Girls are being trotted out again, ReBoot gets well, rebooted, and even the Three Stooges refuse to die with a new animated show in the works. It’s all too much for me to bear!
If the thirteen episodes mentioned in the title seems a bit short, just imagine how the Simpsons would be viewed today if the original order was all that was made. Would it still be viewed as a classic, or be relegated to a footnote of television history? Regardless of what would have happened 25 years ago, the future is pointing inexorably towards series runs of a predetermined length and story structure.
Great TV is everywhere nowadays, at least that what everyone is telling me. Creators are pushing boundaries, genres are being stretched, and cultural barriers are falling. If only it were all true! Great TV is like Punk Rock in more ways than one, and what is on our screens nowadays isn’t inspiring me to get a leather jacket, or a mohawk.
This month I chat with Jeff Cooper and Grahaeme Cowie of Smoking Doors Productions about their animated webseries Impotents and the Kickstarter campaign their currently running to get it made. Besides spilling the beans on the series itself and what we can expect, we discuss why they chose Kickstarter and how much planning and effort goes into running a campaign. If you’ve ever been curious about it, you’ll want to have a listen.
[soundcloud url=”https://api.soundcloud.com/tracks/203130151″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
A good while ago, we wrote about how Cartoon Network was letting down its own fans by restricting the online streaming on their site to cable/satellite subscribers only….
Stuart Heritage recently wrote an opinion piece in The Guardian on the topic of a Danger Mouse reboot for the 21st century. Although slightly tongue in-cheek, Heritage manages to nail…
Are Indian animations studios a real threat to American and European ones? Will Indian animators take away their jobs? Will Indian features fill Western cinemas? This post takes a look at whether all the rumours are really true.
Soundtracks for animated feature films have been hot property ever since Snow White and the Seven Dwarfs. However, soundtracks and scores for TV shows and web series are still neglected. Here’s why that makes no sense.