As I prepare to produce a series of very short, er, shorts, I find my viewpoint of animation as an art and industry being forcibly changed. Not necessarily in a bad way mind you, but rather that it’s breadth and scope have changed as the reality of production becomes my greater focus. Here’s a few thoughts in no particular order.
The production of animated TV programs has never been greater. All three kids channels have full slates, numerous cable networks have their own shows, and FOX continues its long tradition of animated programming on Sunday nights. It’s a good time to be an optimist, yet it’s never been more important to be pessimistic about this sector of the business, because it’s about to go barrelling over a cliff.
In this month’s podcast, I chat with Helen Haswell. Helen is a PhD candidate at Queens University in Belfast, who’s area of research happens to be the merger of Disney and Pixar that took place back in 2006. We discuss that, and lots more in this episode. Just excuse the error in the opening; this is the third episode, not the fourth!
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If the events of the last 15 years have taught us anything, it’s that young people in particular, really don’t give a damn about copyright. What it stands for, why it exists, and the purpose it serves are so lost on the youth that they often act as if it isn’t even real. Unfortunately for one upstart streaming website, the corporate parent of Nickelodeon begged to differ, and wasn’t afraid to sue to remind them either.
The rise in popularity in using technology for animation has brought about a subsequent explosion in creative output. For decades, animation was the preserve of a few who had the right resources and location to do it. That’s all changed though, and while today anyone can create, produce, and distribute animated content, many offer only excuses as to why they’re efforts do not produce results.